This beautifully illustrated book is internationally recognized as the most definitive survey of Minimalism, among the most influential movements in late twentieth-century art.
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James Meyer is a writer and art historian who has been teaching contemporary art and critical theory at Emory University, Atlanta, since 1994. He is a noted specialist and lecturer in Minimalism, as well as other forms of American art of the 1960s, and contemporary forms of institutional critique.
Meyer has written extensively on Minimal artists. Publications include Minimalism: Art and Polemics in the 1960s (Yale, 2001); he has contributed essays to Mel Bochner: Thought Made Visible 1966–1973 (Yale, 1995); Ellsworth Kelly: Sculpture for a Large Wall, 1957 (Matthew Marks Gallery, 1998); Eva Hesse: A Retrospective, ed. Elisabeth Sussman (San Francisco Museum of Modern Art, 2002); Conceptual Art: Theory, Myth, Practice (Cambridge, 2004) and A Minimal Future (Museum of Contemporary Art, Los Angeles, 2004). He is the editor of Carl André, Cuts=Texts, 1999–2004 (MIT Press, 2005) and has contributed to journals Artforum, Art Magazine, Flash Art and Parkett.
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Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. 1st Edition. Hardcover in very good condition. Scuffing to dj, else fine. Photos and foreign shipping available on request. Bestandsnummer des Verkäufers 000055
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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Bestandsnummer des Verkäufers GRP36068514
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Anbieter: Mullen Books, ABAA, Marietta, PA, USA
Hardcover. reprint. Quarto. Hardcover. Black cloth. 304 pp. Numeous illustrations in color and bw. pictorial dustjacket. A nice, bright copy. "The term, Minimalism, was coined to describe the work of a group of American artists who developed a new kind of whole or serial geometric abstraction during the 1960s. This book documents the careers of the leading figures associated with Minimalism--Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt and Robert Morris--as well as the practices of artists who were associated with the movement, among them the sculptors, Larry Bell, Eva Hesse, John McCracken, Robert Smithson and Anne Truitt; and the painters, Jo Baer, Robert Mangold, Brice Marden, Agnes Martin, David Novros, Robert Ryman and Frank Stella."--WorldCat. VG. Some scuffing to jacket, otherwise clean and unmarked. Bestandsnummer des Verkäufers 35878
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Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Fine. 1st. Cloth, 304 pages, illustrations (some colour); 30 cm. Near fine. Firm binding, clean text. Remainder mark/paste-down endpaper (inside front cover), hidden by front flap. Dust jacket protected in a mylar cover. Another copy available. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** "The term, Minimalism, was coined to describe the work of a group of American artists who developed a new kind of whole or serial geometric abstraction during the 1960s. This book documents the careers of the leading figures associated with Minimalism--Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt and Robert Morris--as well as the practices of artists who were associated with the movement, among them the sculptors, Larry Bell, Eva Hesse, John McCracken, Robert Smithson and Anne Truitt; and the painters, Jo Baer, Robert Mangold, Brice Marden, Agnes Martin, David Novros, Robert Ryman and Frank Stella" - Publisher. Size: 4to. Bestandsnummer des Verkäufers 017145
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Anbieter: Birmingham Museum of Art, Birmingham, AL, USA
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