A beautifully illustrated book, internationally recognized as the definitive survey of Minimalism.
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James Meyer is a writer and art historian who has been teaching contemporary art and critical theory at Emory University, Atlanta, since 1994. He is a noted specialist and lecturer in Minimalism, as well as other forms of American art of the 1960s, and contemporary forms of institutional critique.
Meyer has written extensively on Minimal artists. Publications include Minimalism: Art and Polemics in the 1960s (Yale, 2001); he has contributed essays to Mel Bochner: Thought Made Visible 1966–1973 (Yale, 1995); Ellsworth Kelly: Sculpture for a Large Wall, 1957 (Matthew Marks Gallery, 1998); Eva Hesse: A Retrospective, ed. Elisabeth Sussman (San Francisco Museum of Modern Art, 2002); Conceptual Art: Theory, Myth, Practice (Cambridge, 2004) and A Minimal Future (Museum of Contemporary Art, Los Angeles, 2004). He is the editor of Carl André, Cuts=Texts, 1999–2004 (MIT Press, 2005) and has contributed to journals Artforum, Art Magazine, Flash Art and Parkett.
Beautifully illustrated and internationally recognized as the definitive survey of Minimalism.
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Anbieter: New Legacy Books, Annandale, NJ, USA
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Paperback. Zustand: Very Good. A beautifully illustrated book, internationally recognized as the definitive survey of Minimalism. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Bestandsnummer des Verkäufers GOR003018028
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Anbieter: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irland
Zustand: New. 2010. Abridged, Revised, Updated. Paperback. Beautifully illustrated and internationally recognized as the definitive survey of Minimalism. Editor(s): Meyer, James. Num Pages: 200 pages, 296 illustrations. BIC Classification: ACXJ4. Category: (G) General (US: Trade). Dimension: 290 x 250 x 16. Weight in Grams: 982. . . . . . Bestandsnummer des Verkäufers V9780714856537
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