Luc Besson is considered one of the hottest international properties to emerge from the new wave of French film directors in the 1980s. His films represent the conflicts and tensions of a postmodern age, and are perceived as signs of their times. This is a study of Besson's film-making career to date, placing the films within their socio-historical and political context. It investigates the interface between technology and the body, along with the environments in which the violent interactions between them are played. The absence of family and the demise of community are also explored.
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Susan Hayward is Professor of French at the University of Exeter
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Buchbeschreibung Manchester Univ Pr, 1998. Buchzustand: Good. illustrated edition. Former Library book. Shows some signs of wear, and may have some markings on the inside. Buchnummer des Verkäufers GRP9881017
Buchbeschreibung Manchester University Press, 1998. Hardcover. Buchzustand: Very Good. Very Good: a copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Most items will be dispatched the same or the next working day. Buchnummer des Verkäufers mon0006392752
Buchbeschreibung Manchester University Press, 1998. Buchzustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. , 350grams, ISBN:0719050758. Buchnummer des Verkäufers 7165839
Buchbeschreibung Manchester Univ Pr, 1998. Hardcover. Buchzustand: Good. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. May be ex-library. Shipping & Handling by region. Buy with confidence, excellent customer service!. Buchnummer des Verkäufers 0719050758