Montage (Cinema Aesthetics) - Softcover

Rohdie, Sam

Softcover

ISBN 10: 0719070392 ISBN 13: 9780719070396

Verlag: Manchester University Press, 2007

Inhaltsangabe

Montage is an informed and highly original study in the styles and histories of film editing.

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Über die Autorinnen und Autoren

Sam Rohdie is Professor of Cinema Studies in the Department of Film and Digital Media at the University of Central Florida


Sam Rohdie is Professor of Cinema Studies in the Department of Film and Digital Media at the University of Central Florida

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Montage enters into a dialogue with the cinema, probing and playing with its language of motion and stillness, continuity and discontinuity, constraint and openness, time and duration. Comprised of a series of elegantly-written and intellectually vibrant essays, Sam Rohdie's book carefully expresses his ideas and arguments in a manner free from the complexities of contemporary theory and cultural criticism.

As much a book written with the cinema as about it, Montage explores associative and comparative possibilities in the films of directors such as Takeshi Kitano, Jean Renoir, D.W. Griffith, Howard Hawks, Lev Kulsehov, Sergei Eisenstein and Alfred Hitchcock. It offers new and fascinating perspectives on mise en scène, framing, shots, and narrative variation. In combining the sensitive analysis of film forms and structures with an awareness of their historical and artistic relation to other art forms, it also elucidates an appreciation of montage aesthetics that is attentive to the influences of photography, painting and other arts.

Montage is a book that will enrich our ways of seeing, understanding, and enjoying the cinema.

Aus dem Klappentext

Montage enters into a dialogue with the cinema, probing and playing with its language of motion and stillness, continuity and discontinuity, constraint and openness, time and duration. Comprised of a series of elegantly-written and intellectually vibrant essays, Sam Rohdies book carefully expresses his ideas and arguments in a manner free from the complexities of contemporary theory and cultural criticism. As much a book written with the cinema as about it, Montage explores associative and comparative possibilities in the films of directors such as Takeshi Kitano, Jean Renoir, D.W. Griffith, Howard Hawks, Lev Kulsehov, Sergei Eisenstein and Alfred Hitchcock. It offers new and fascinating perspectives on mise en scène, framing, shots, and narrative variation. In combining the sensitive analysis of film forms and structures with an awareness of their historical and artistic relation to other art forms, it also elucidates an appreciation of montage aesthetics that is attentive to the influences of photography, painting and other arts. Montage is a book that will enrich our ways of seeing, understanding, and enjoying the cinema.

Details zur Ausgabe

• Verlag: Manchester University Press
• Erscheinungsdatum: 2007
• Sprache: Englisch
• ISBN 10: 0719070392
• ISBN 13: 9780719070396
• Einband: Taschenbuch
• Auflage: 1
• Anzahl der Seiten: 160
• Kontakt zum Hersteller: Nicht verfügbar
• Verantwortliche Person: Buchbär; info@buchbaer.de; ; Weberstr. 67; Osnabrück; 49084; Deutschland