Waltzes (Complete): A Practical Performing Edition (Alfred Masterwork Cd Edition) - Softcover

 
9780739047552: Waltzes (Complete): A Practical Performing Edition (Alfred Masterwork Cd Edition)

Inhaltsangabe

The 17 waltzes comprising this volume are among Chopin's most popular compositions. Composed over a period of 20 years (from 1827 to 1847), only eight waltzes were published during Chopin's lifetime. Many of the others were written as gifts for women with whom he was acquainted. This Practical Performing Edition is clearly spaced for ease in reading and contains a thematic index. Also included is an outstanding CD recording from the Naxos label by internationally renowned artist Idil Biret. She has made more than 70 recordings and has received numerous awards including: Lily Boulanger Memorial, Boston; Harriet Cohen - Dinu Lipatti gold medal, London; Chevalier de l'Ordre du Merite, France; State Artist, Turkey and many others.

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Reseña del editor

The 17 waltzes comprising this volume are among Chopin's most popular compositions. Composed over a period of 20 years (from 1827 to 1847), only eight waltzes were published during Chopin's lifetime. Many of the others were written as gifts for women with whom he was acquainted. This Practical Performing Edition is clearly spaced for ease in reading and contains a thematic index. Also included is an outstanding CD recording from the Naxos label by internationally renowned artist Idil Biret. She has made more than 70 recordings and has received numerous awards including: Lily Boulanger Memorial, Boston; Harriet Cohen - Dinu Lipatti gold medal, London; Chevalier de l'Ordre du Merite, France; State Artist, Turkey and many others.

Reseña del editor

THE years are marching toward the three-quarters of a century mark since the Polish composer, Frederic-Francois Chopin, died at Paris in 1S49. As immortality goes nowadays his is a considerable one for a pianoforte composer. Music is an evanescent art. The idol of yesterday is stale today. Notwithstanding the enormous repertoire of the keyboard, more than half is become purely academic: music taught, played by students. The professional virtuoso is more limited in his selections for public performance than we like to believe: Bach to Liszt, with a Beethoven sonata as piece de resistance; and Chopin-always Chopin, whether his poetry is apprehended by the pianist or not; Chopin is the inevitable name that figures at every successful recital. All-Chopin programmes fill concert halls. Thanks to this the old Chopin is gone for most of us. It is not that he is played too often, but that he is badly, sadly played. Nevertheless, lie holds his own, and not Debu

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