It is an April day in the year 2000 and an era is about to end -- those booming times of market optimism when the culture boiled with money and corporations seemed more vital and influential than governments.
Eric Packer, a billionaire asset manager at age 28, emerges from his penthouse triplex and settles into his lavishly customized white stretch limousine. On this day he is a man with two missions: to pursue a cataclysmic bet against the yen and to get a haircut across town.
His journey to the barbershop is a contemporary odyssey, funny and fast-moving. Stalled in traffic by a presidential motorcade, a music idol's funeral and a violent political demonstration, Eric receives a string of visitors -- his experts on security, technology, currency, finance and theory. Sometimes he leaves the car for sexual encounters and sometimes he doesn't have to.
Cosmopolis, Don DeLillo's thirteenth novel, is both intimate and global, a vivid and moving account of a spectacular downfall.
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Don DeLillo is the author of thirteen novels and two plays. He has won the National Book Award, the PEN/Faulkner Award for Fiction, and the Jerusalem Prize.
He tried to read his way into sleep but onlygrew more wakeful. He read science and poetry.He liked spare poems sited minutely in whitespace, ranks of alphabetic strokes burnt intopaper. Poems made him conscious of hisbreathing. A poem bared the moment to things hewas not normally prepared to notice. This wasthe nuance of every poem, at least for him, atnight, these long weeks, one breath afteranother, in the rotating room at the top of thetriplex.
He tried to sleep standing up one night, in hismeditation cell, but wasn't nearly adept enough,monk enough to manage this. He bypassed sleepand rounded into counterpoise, a moonless calmin which every force is balanced by another.This was the briefest of easings, a small pausein the stir of restless identities.
There was no answer to the question. He triedsedatives and hypnotics but they made himdependent, sending him inward in tight spirals.Every act he performed was self-haunted andsynthetic. The palest thought carried an anxiousshadow. What did he do? He did not consult ananalyst in a tall leather chair. Freud isfinished, Einstein's next. He was reading theSpecial Theory tonight, in English and German,but put the book aside, finally, and laycompletely still, trying to summon the will tospeak the single word that would turn off thelights. Nothing existed around him. There wasonly the noise in his head, the mind in time.
When he died he would not end. The world wouldend.
He stood at the window and watched the great daydawn. The view was across bridges, narrows andsounds and out past the boroughs and toothpastesuburbs into measures of landmass and sky thatcould only be called the deep distance. Hedidn't know what he wanted. It was stillnighttime down on the river, half night, andashy vapors wavered above the smokestacks on thefar bank. He imagined the whores were all fledfrom the lamplit corners by now, duck buttsshaking, other kinds of archaic business justbeginning to stir, produce trucks rolling out ofthe markets, news trucks out of the loadingdocks. The bread vans would be crossing the cityand a few stray cars out of bedlam weaving downthe avenues, speakers pumping heavy sound.
The noblest thing, a bridge across a river, withthe sun beginning to roar behind it.
He watched a hundred gulls trail a wobbling scowdownriver. They had large strong hearts. He knewthis, disproportionate to body size. He'd beeninterested once and had mastered the teemingdetails of bird anatomy. Birds have hollowbones. He mastered the steepest matters in halfan afternoon.
He didn't know what he wanted. Then he knew. Hewanted to get a haircut.
He stood a while longer, watching a single gulllift and ripple in a furl of air, admiring thebird, thinking into it, trying to know the bird,feeling the sturdy earnest beat of itsscavenger's ravenous heart.
He wore a suit and tie. A suit subdued thecamber of his overdeveloped chest. He liked towork out at night, pulling weighted metal sleds,doing curls and bench presses in stoicrepetitions that ate away the day's tumults andcompulsions.
He walked through the apartment, forty-eightrooms. He did this when he felt hesitant anddepressed, striding past the lap pool, the cardparlor, the gymnasium, past the shark tank andscreening room. He stopped at the borzoi pen andtalked to his dogs. Then he went to the annex,where there were currencies to track andresearch reports to examine.
The yen rose overnight against expectations.
He went back up to the living quarters, walkingslowly now, and paused in every room, absorbingwhat was there, deeply seeing, retaining everyfleck of energy in rays and waves.
The art that hung was mainly color-field andgeometric, large canvases that dominated roomsand placed a prayerful hush on the atrium,skylighted, with its high white paintings andtrickle fountain. The atrium had the tension andsuspense of a towering space that requires pioussilence in order to be seen and experiencedproperly, the mosque of soft footfall and rockdoves murmurous in the vaulting.
He liked paintings that his guests did not knowhow to look at. The white paintings wereunknowable to many, knife-applied slabs ofmucoid color. The work was all the moredangerous for not being new. There's no moredanger in the new.
He rode to the marble lobby in the elevator thatplayed Satie. His prostate was asymmetrical. Hewent outside and crossed the avenue, then turnedand faced the building where he lived. He feltcontiguous with it. It was eighty-nine stories,a prime number, in an undistinguished sheath ofhazy bronze glass. They shared an edge orboundary, skyscraper and man. It was ninehundred feet high, the tallest residential towerin the world, a commonplace oblong whose onlystatement was its size. It had the kind ofbanality that reveals itself over time as beingtruly brutal. He liked it for this reason. Heliked to stand and look at it when he felt thisway. He felt wary, drowsy and insubstantial.
The wind came cutting off the river. He took outhis hand organizer and poked a note to himselfabout the anachronistic quality of the wordskyscraper. No recent structure ought to bearthis word. It belonged to the olden soul of awe,to the arrowed towers that were a narrative longbefore he was born.
The hand device itself was an object whoseoriginal culture had just about disappeared. Heknew he'd have to junk it.
The tower gave him strength and depth. He knewwhat he wanted, a haircut, but stood a whilelonger in the soaring noise of the street andstudied the mass and scale of the tower. The onevirtue of its surface was to skim and bend theriver light and mime the tides of open sky.There was an aura of texture and reflection. Hescanned its length and felt connected to it,sharing the surface and the environment thatcame into contact with the surface, from bothsides. A surface separates inside from out andbelongs no less to one than the other. He'dthought about surfaces in the shower once.
He put on his sunglasses. Then he walked backacross the avenue and approached the lines ofwhite limousines. There were ten cars, five in acurbside row in front of the tower, on FirstAvenue, and five lined up on the cross street,facing west. The cars were identical at aglance. Some may have been a foot or two longerthan others depending on details of the stretchwork and the particular owner's requirements.
The drivers smoked and talked on the sidewalk,hatless in dark suits, sharing an alertness thatwould be evident only in retrospect when theireyes went hot in their heads and they shed theircigarettes and vacated their unstudied stances,having spotted the objects of their regard.
For now they talked, in accented voices, some ofthem, or first languages, others, and theywaited for the investment banker, the landdeveloper, the venture capitalist, for thesoftware entrepreneur, the global overlord ofsatellite and cable, the discount broker, thebeaked media chief, for the exiled head of stateof some smashed landscape of famine and war.
In the park across the street there werestylized ironwork arbors and bronze fountainswith iridescent pennies scattershot at thebottom. A man in women's clothing walked sevenelegant dogs.
He liked the fact that the cars wereindistinguishable from each other. He wantedsuch a car because he thought it was a...
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