A wide-ranging introduction to film history, this anthology covers the history of film from 1895 to the present day. The book is arranged chronologically, and each chapter contains an introduction by the editors on the key developments within the period, followed by a classic piece of historical research about that period. Various types of film history are undertaken in the articles, so that students can become familiar with different types of film historical research. For example, topics include the history of audiences; exhibition; marketing; censorship; aesthetic history; political history; and historical reception studies. The book is therefore designed to provide students with a narrative history spine while simultaneously introducing them to different approaches to the study and research of film history. Concentrating on the plurality of the ‘historical turn’ in film studies, this book demonstrates that film history is, and should be, about more than simply key films, directors and movements.Key features*Contains a preface that explains the structure and organisation of the book*Chapter introductions provide a chronological sense of international developments*Includes key articles of film history that illustrate differences in methodological approach, and which are devoted both to America and to a wide range of non-American contexts
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Paul Grainge is Professor of Film and Television Studies at the University of Nottingham. He is the author and editor of six books, including Promotional Screen Industries (with Catherine Johnson) (2015), Ephemeral Media: Transitory Screen Culture from Television to YouTube (2011), and Brand Hollywood: Selling Entertainment in a Global Media Age (2008).
Mark Jancovich is Professor of Film and Television Studies at the University of East Anglia.
Sharon Monteith is Distinguished Professor of American Literature and Cultural History at Nottingham Trent University. She is author of Advancing Sisterhood? Interracial Friendships in Contemporary Southern Fiction (2000) and Pat Barker (2002) and co-author of Film Histories (2007). Among other volumes she is co-editor of Gender and the Civil Rights Movement (1999; 2004) and South to a New Place: Region, Literature, Culture (2002).
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Paperback. Zustand: new. Paperback. A wide-ranging introduction to film history, this anthology covers the history of film from 1895 to the present day. The book is arranged chronologically, and each chapter contains an introduction by the editors on the key developments within the period, followed by a classic piece of historical research about that period. Various types of film history are undertaken in the articles, so that students can become familiar with different types of film historical research. For example, topics include the history of audiences; exhibition; marketing; censorship; aesthetic history; political history; and historical reception studies. The book is therefore designed to provide students with a narrative history spine while simultaneously introducing them to different approaches to the study and research of film history. Concentrating on the plurality of the 'historical turn' in film studies, this book demonstrates that film history is, and should be, about more than simply key films, directors and movements.Key features*Contains a preface that explains the structure and organisation of the book*Chapter introductions provide a chronological sense of international developments*Includes key articles of film history that illustrate differences in methodological approach, and which are devoted both to America and to a wide range of non-American contexts A wide-ranging introduction to film history, this anthology covers the history of film from 1895 to the present day. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9780748619078
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Paperback. Zustand: New. A wide-ranging introduction to film history, this anthology covers the history of film from 1895 to the present day. The book is arranged chronologically, and each chapter contains an introduction by the editors on the key developments within the period, followed by a classic piece of historical research about that period. Various types of film history are undertaken in the articles, so that students can become familiar with different types of film historical research. For example, topics include the history of audiences; exhibition; marketing; censorship; aesthetic history; political history; and historical reception studies. The book is therefore designed to provide students with a narrative history spine while simultaneously introducing them to different approaches to the study and research of film history. Concentrating on the plurality of the 'historical turn' in film studies, this book demonstrates that film history is, and should be, about more than simply key films, directors and movements.Key features*Contains a preface that explains the structure and organisation of the book*Chapter introductions provide a chronological sense of international developments*Includes key articles of film history that illustrate differences in methodological approach, and which are devoted both to America and to a wide range of non-American contexts. Bestandsnummer des Verkäufers LU-9780748619078
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