The first of two volumes in which American and British art historians explore visual images of work from Greek pottery to contemporary performance and range through perspectives from France, Britain, Hungary, Soviet Russia, the Ukraine, Siberia, and Germany. Editors Mainz (art history and Jewish studies, U. of Leeds) and Pollock (social and cultural histories of art, U. of Leeds) present interdisciplinary case studies that trace the changing definitions of work as labor, as craft, as social relations, and as a source of historical identity and analyze the role of visual representation in that formation and transformation. Annotation c. Book News, Inc., Portland, OR (booknews.com)
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Anbieter: Mullen Books, ABAA, Marietta, PA, USA
Hardcover. Octavo. Hardcover. Orange cloth in illustrated orange jacket. xi, 222 pages : illustrations, portraits ; 24 cm. These essays provide a challenging reconsideration of the image of work, the meaning of the work process, and the complex issues around artistic activity as itself a form of work even as it offers a representation of labour. The first volume includes interdisciplinary case studies. The essays in the second volume examine the diverse ways in which the social relations of work in industrial societies from both capitalist and socialist regimes were publicly and privately mediated by changing forms of visual representation. VG/VG-. Jacket spine sunned, light rubbing to jacket. Library stamp on front end paper. Bestandsnummer des Verkäufers 205614
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Anbieter: Plurabelle Books Ltd, Cambridge, Vereinigtes Königreich
Hardcover. Zustand: Very Good. Series: Work and the Image. xi 222p hardback, fresh yellow dustjacket, excellent copy, many illustrations throughout = Work and the Image 1, as new, no names or stamps Language: English. Bestandsnummer des Verkäufers 198428
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