At the dawn of "Morning in America"--a period that would nurse the rise of suit-and-tie culture--there emerged a national network of anti-corporate record shops, college radio stations, fanzines, nightclubs, and entrepreneurial record labels.
In the watershed year 1981, this "indie" scene fostered several seminal releases. Among recordings by bands such as Sonic Youth, Black Flag, Husker Du, The Minutemen, and R.E.M. was an album called "Sorry Ma . . . Forgot to Take Out the Trash", recorded by a scruffy, flannel-clad quartet from Minneapolis called The Replacements. Now, for the first time, all of the hearsay, half-truths, legends, and allegations associated with this maelstrom of a rock & roll band are unraveled in this oral history by longtime Twin Cities music journalist Jim Walsh.
Through interviews with family, friends, and fans; former manager Peter Jesperson; Twin/Tone record label cofounder Paul Stark; and musicians around the nation influenced by the band, Walsh lays bare with painful clarity a tale that unfolds like a tragic comedy in three perfect acts. Celebrated by national publications, "the Mats" often seemed more hell-bent on sabotaging their status as critical darlings than parlaying it. With their markedly apolitical stance amid their decidedly political peers, their uncool embrace of "classic rock" influences like KISS and The Faces, and their Dionysian appetites (and the resulting tendency to literally fall on their own faces), The Replacements lasted 12 years despite themselves.
From the bands founding to their rise through the local and national club circuits, their major label deal in 1985, and the slow and painful implosion that followed, The Replacements: All Over But the Shouting lays down the gripping oral history behind the little band that could--but didn't.
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Jim Walsh spent several years singing in Twin Cities bands before turning to rock journalism. In 1990 he became the music editor at City Pages, an alternative weekly in Minneapolis. Three years later, he joined the St. Paul Pioneer Press as the pop music columnist and as a feature writer, and in 2002 he left Minnesota to study at Stanford University on a John S. Knight Fellowship. Walsh returned to Minneapolis in 2003, where he lives with his wife and two children, and performs and records as his musical alter ego, The Mad Ripple (www.myspace.com/themadripple and www.myspace.com/madripplemusic).
Here, finally, is the rollicking story of the notorious and celebrated band, as told by veteran music journalist Jim Walsh, an eyewitness who was always at the periphery of the storm, and often at its eye.
The Replacements were superheroes: They rescued a whole planet from 80s music. Jim Walsh s loving, engrossing oral history is the book they deserve.
Nick Hornby, author of High Fidelity, About a Boy, Fever Pitch, and Songbook
The Replacements were all at once 100-percent right and totally and completely wrong; absolutely inspiring and thoroughly infuriating; gloriously brilliant and utterlystoopid. Any writer who would dare tell their story would have to match those attributes and contradictions, but there was only one up for the task, and Jim Walsh has done a tremendous job of it.
Jim DeRogatis, pop-music critic at the Chicago Sun-Times, co-host of Public Radio s Sound Opinions, and author of Let It Blurt: The Life and Times of Lester Bangs, America s Greatest Rock Critic
The rest of us have only seen the Replacements through a crack in the drapes. Jim Walsh actually took the wheel from time to time and managed to get closer to the band than I ever thought possible. He makes me lonesome for the 80s.
Joe Soucheray, St. Paul Pioneer Press columnist and host of KSTP-AM s Garage Logic
The Replacements made a mark on Minneapolis serrated and deep, like a battle scar, as one person remembers in this book. Can the life of a band be captured in mere words? Jim Walsh uses oral history as the way to know if any of it mattered, or if it even happened.
Diane Middlebrook, author of Suits Me, the bi
They were a mass of contradictions . . . they were kings of irony before irony was everywhere . . . they were an ongoing critique of absolutely everything, including themselves . . . and they hated rock stars, but loved rock. Author Jim Walsh, from his Preface
Formed in a Minneapolis basement in 1979, the Replacements were a notorious rock n roll circus, renowned for self-sabotage, cartoon shtick, stubborn contrarianism, stage-fright, Dionysian benders, heart-on-sleeve songwriting, and ultimately critical and popular acclaim. While rock then and now is lousy with superficial stars and glossy entertainment, the Replacements were as warts-and-all real as life itself.
In the first book to take on the jumble of facts, fictions, and contradictions behind the band, veteran Minneapolis music journalist Jim Walsh distills archival interviews with bandmembers and hundreds of hours of new interviews with their friends, families, fellow musicians, fans, and co-conspirators into an absorbing oral history worthy of the scruffy quartet that many have branded the most influential band to emerge from the 80s. Former manager Peter Jesperson, Paul Stark and Dave Ayers of Twin/Tone Records, Bob Mould and Grant Hart of rivals Hüsker Dü, the legendary Curtiss A, Soul Asylum s Dan Murphy, Lori Barbero of Babes in Toyland, R.E.M. s Peter Buck, power-pop hero Alex Chilton, Craig Finn of The Hold Steady, and replacement Replacements Slim Dunlap and Steve Foley among dozens of others explain the scene that spawned the band, offer insights into the band s workings, and explain the Replacements lasting influence more than fifteen years after their breakup. The story is illustrated with both rarely seen and classic photos, as well as archival materials.
Long overdue, here finally is the rollicking story behind the turbulent and celebrated band that came on fast and furious and finally flamed out, from one eyewitness who was always at the periphery of the storm, and often at its eye.
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