The Codex - Softcover

Preston, Douglas J.

Softcover

ISBN 10: 076534629X ISBN 13: 9780765346292

Verlag: Tor Books, 2005

Inhaltsangabe

The bestselling coauthor of such page-turning thrillers as Relic and The Cabinet of Curiosities, Douglas Preston now spins an unforgettable tale of greed, adventure, and betrayal in The Codex.

"Greetings from the dead," declares Maxwell Broadbent on the videotape he left behind after his mysterious disappearance. A notorious treasure hunter and tomb robber, Broadbent accumulated over a half a billion dollars' worth of priceless art, gems, and artifacts before vanishing---along with his entire collection---from his mansion in New Mexico.

At first, robbery is suspected, but the truth proves far stranger: As a final challenge to his three sons, Broadbent has buried himself and his treasure somewhere in the world, hidden away like an ancient Egyptian pharaoh. If the sons wish to claim their fabulous inheritance, they must find their father's carefully concealed tomb.

The race is on, but the three brothers are not the only ones competing for the treasure. This secret is so astounding it cannot be kept quiet for long. With half a billion dollars at stake, as well as an ancient Mayan codex that may hold a cure for cancer and other deadly diseases, others soon join the hunt---and some of them will stop at nothing to claim the grave goods.

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Über die Autorin bzw. den Autor

Douglas Preston is the co-author with Lincoln Child of the celebrated Pendergast series of novels, including such best-selling titles as Fever Dream, The Book of the Dead, The Wheel of Darkness, and Relic, which became a number one box office hit movie. His solo novels include the New York Times bestsellers Impact, Blasphemy, and Tyrannosaur Canyon. His nonfiction book The Monster of Florence is being made into a film starring George Clooney. Preston is an expert long-distance horseman, a member of the elite Long Riders Guild, and a Fellow of the Royal Geographical Society. He has travelled to remote parts of the world as an archaeological correspondent for The New Yorker. He also worked as an editor and writer at the American Museum of Natural History in New York and taught nonfiction writing at Princeton University. Preston is the Co-president of International Thriller Writers, and serves on the Governing Council of the Authors Guild.

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The Codex

By Preston, Douglas

Forge Books

Copyright ©2005 Preston, Douglas
All right reserved.
ISBN: 9780765346292

1
 
 
Tom Broadbent turned the last corner of the winding drive and found his two brothers already waiting at the great iron gates of the Broadbent compound. Philip, irritated, was knocking the dottle out of his pipe on one of the gateposts while Vernon gave the buzzer a couple of vigorous presses. The house stood beyond them, silent and dark, rising from the top of the hill like some pasha’s palace, its clerestories, chimneys, and towers gilded in the rich afternoon light of Santa Fe, New Mexico.
“It’s not like Father to be late,” said Philip. He slipped the pipe between his white teeth and closed down on the stem with a little click. He gave the buzzer a stab of his own, checked his watch, shot his cuff. Philip looked pretty much the same, Tom thought: briar pipe, sardonic eye, cheeks well shaved and after-shaved, hair brushed straight back from a tall brow, gold watch winking at the wrist, dressed in gray worsted slacks and navy jacket. His English accent seemed to have gotten a shade plummier. Vernon, on the other hand, in his gaucho pants, sandals, long hair, and beard, looked uncannily like Jesus Christ.
“He’s playing another one of his games with us,” said Vernon, giving the buzzer a few more jabs. The wind whispered through the piñon trees, bringing with it a smell of warm resin and dust. The great house was silent.
The smell of Philip’s expensive tobacco drifted on the air. He turned to Tom. “And how are things, Tom, out there among the Indians?”
“Fine”.
“Glad to hear it.”
“And with you?”
“Terrific. Couldn’t be better.”
“Vernon?” Tom asked.
“Everything’s fine. Just great.”
The conversation faltered, and they looked around at each other, and then away, embarrassed. Tom never had much to say to his brothers. A crow passed overhead, croaking. An uneasy silence settled on the group gathered at the gate. After a long moment Philip gave the buzzer a fresh series of jabs and scowled through the wrought iron, grasping the bars. “His car’s still in the garage. The buzzer must be broken.” He drew in air. “Halloo! Father! Halloo! Your devoted sons are here!”
There was a creaking sound as the gate opened slightly under his weight.
“The gate’s unlocked,” Philip said in surprise. “He never leaves the gate unlocked.”
“He’s inside, waiting for us,” said Vernon. “That’s all.”
They put their shoulders to the heavy gate and swung it open on protesting hinges. Vernon and Philip went back to get their cars and park them inside, while Tom walked in. He came face-to-face with the house—his childhood home. How many years since his last visit? Three? It filled him with odd and conflicting sensations, the adult coming back to the scene of his childhood. It was a Santa Fe compound in the grandest sense. The graveled driveway swept in a semicircle past a massive pair of seventeenth-century zaguan doors, spiked together from slabs of hand-hewn mesquite. The house itself was a low-slung adobe structure with curving walls, sculpted buttresses, vigas, latillas, nichos, portals, real chimney pots—a work of sculptural art in itself. It was surrounded by cottonwood trees and an emerald lawn. Situated at the top of a hill, it had sweeping views of the mountains and high desert, the lights of town, and the summer thunderheads rearing over the Jemez Mountains. The house hadn’t changed, but it felt different. Tom reflected that maybe it was he who was different.
One of the garage doors was open, and Tom saw his father’s green Mercedes Gelaendewagen parked in the bay. The other two bays were shut. He heard his brother’s cars come crunching around the driveway, stopping by the portal. The doors slammed, and they joined Tom in front of the house.
That was when a troubled feeling began to gather in the pit of Tom’s stomach.
“What are we waiting for?” asked Philip, mounting the portal and striding up to the zaguan doors, giving the doorbell a firm series of depresses. Vernon and Tom followed.
There was nothing but silence.
Philip, always impatient, gave the bell a final stab. Tom could hear the deep chimes going off inside the house. It sounded like the first few bars of “Mame,” which, he thought, would be typical of Father’s ironic sense of humor.
“Halloo!” Philip called through cupped hands.
Still nothing.
“Do you think he’s all right?” Tom asked. The uneasy feeling was getting stronger.
“Of course he’s all right,” said Philip crossly. “This is just another one of his games.” He pounded on the great Mexican door with a closed fist, booming and rattling it.
As Tom looked about, he saw that the yard had an unkempt look, the grass unmowed, new weeds sprouting in the tulip beds.
“I’m going to take a look in a window,” Tom said.
He forced his way through a hedge of trimmed chamisa, tiptoed through a flower bed, and peered in the living room window. Something was very wrong, but it took him a moment to realize just what. The room seemed normal: same leather sofas and wing chairs, same stone fireplace, same coffee table. But above the fireplace there had been a big painting—he couldn’t remember which one—and now it was gone. He racked his brains. Was it the Braque or the Monet? Then he noticed that the Roman bronze statue of a boy that held court to the left of the fireplace was also gone. The bookshelves revealed holes where books had been taken out. The room had a disorderly look. Beyond the doorway to the hall he could see trash lying on the floor, some crumpled paper, a strip of bubble wrap, and a discarded roll of packing tape.
“What’s up, Doc?” Philip’s voice came floating around the corner.
“You better have a look.”
Philip picked his way through the bushes with his Ferragamo wingtips, a look of annoyance screwed into his face. Vernon followed.
Philip peeked through the window, and he gasped. “The Lippi,” he said. “Over the sofa. The Lippi’s gone! And the Braque over the fireplace! He’s taken it all away! He’s sold it!”
Vernon spoke. “Philip, don’t get excited. He probably just packed the stuff up. Maybe he’s moving. You’ve been telling him for years this house was too big and isolated.”
Philip’s face relaxed abruptly. “Yes. Of course.”
“That must be what this mysterious meeting’s all about,” Vernon said.
Philip nodded and mopped his brow with a silk handkerchief. “I must be tired from the flight. Vernon, you’re right. Of course they’ve been packing. But what a mess they’ve made of it. When Father sees this he’s going to have a fit.”
There was a silence as all three sons stood in the shrubbery looking at each other. Tom’s own sense of unease had reached a high pitch. If their father was moving, it was a strange way to go about it.
Philip took the pipe out of his mouth. “What say, do you think this is another one of his little challenges to us? Some little puzzle?”
“I’m going to break in,” Tom said.
“The alarm.”
“The hell with the...

Details zur Ausgabe

• Verlag: Tor Books
• Erscheinungsdatum: 2005
• Sprache: Englisch
• ISBN 10: 076534629X
• ISBN 13: 9780765346292
• Einband: Taschenbuch
• Anzahl der Seiten: 404
• Kontakt zum Hersteller: preigu GmbH & Co. KG; mail@preigu.de; ; Lengericher Landstr. 19; Osnabrück; Niedersachsen; 49078; Deutschland