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the-sweet-hereafter ISBN 13: 9780771010569

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9780771010569: the-sweet-hereafter
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  • ISBN 10 0771010567
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Banks, Russell
Verlag: McClelland & Stewart (1991)
ISBN 10: 0771010567 ISBN 13: 9780771010569
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Buchbeschreibung Zustand: Good. Used book that is in clean, average condition without any missing pages. Bestandsnummer des Verkäufers 867338-6

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Banks, Russell
Verlag: McClelland & Stewart (1991)
ISBN 10: 0771010567 ISBN 13: 9780771010569
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Buchbeschreibung Zustand: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects. Bestandsnummer des Verkäufers GRP105112070

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Banks
Verlag: McClelland & Stewart (1991)
ISBN 10: 0771010567 ISBN 13: 9780771010569
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Buchbeschreibung Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.74. Bestandsnummer des Verkäufers G0771010567I3N00

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Banks, Russell
Verlag: McClelland & Stewart (1991)
ISBN 10: 0771010567 ISBN 13: 9780771010569
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(Toronto, ON, Kanada)
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Buchbeschreibung Softcover. Zustand: Near Fine. First Edition. A Good Read ships from Toronto and Niagara Falls, NY - customers outside of North America please allow two to three weeks for delivery. First thus. Light tanning to text. Light sunning to spine. ; 8vo 8" - 9" tall. Bestandsnummer des Verkäufers 64391

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Banks, Russell
ISBN 10: 0771010567 ISBN 13: 9780771010569
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Buchbeschreibung Original Wraps. Zustand: Fine. Uncorrected Proof. "This is an uncorrected Proof" In The Sweet Hereafter, Russell Banks tells a story that begins with a school bus accident. Using four different narrators, Banks creates a small-town morality play that addresses one of life's most agonizing questions: when the worst thing happens, who do you blame?. Book. Bestandsnummer des Verkäufers 043003

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Banks, Russell
Verlag: McClelland & Stewart (1991)
ISBN 10: 0771010567 ISBN 13: 9780771010569
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Buchbeschreibung Soft cover. Zustand: Near Fine. Name and rubber stamp to end page otherwise this is a clean, tight, square and unmarked copy-" When fourteen children from the small town of Sam Dent are lost in a tragic accident, its citizens are confronted with one of lifes most difficult and disturbing questions: When the worst happens, whom do you blame, and how do you cope? Masterfully written, it is a large-hearted novel that brings to life a cast of unforgettable small-town characters and illuminates the mysteries and realities of love as well as grief. The Sweet Hereafter was released as a major motion picture by Atom Egoyan in 1997 and won the Grand Prix at the Cannes Film Festival. Egoyan also received Academy Award nominations for Best Director and Best Adapted Screenplay that year. Review: Atom Egoyan's Oscar-nominated The Sweet Hereafter is a good movie, remarkably faithful to the spirit of Russell Banks's novel of the same name, but Banks's book is twice as good. With the cool logic of accreting snowflakes, his prose builds a world--a small U.S. town near Canada--and peoples it with four vivid, sensitive souls linked by a school-bus tragedy: the bus driver; the widowed Vietnam vet who was driving behind the bus, waving at his kids, when it went off the road; the perpetually peeved negligence lawyer who tries to shape the victims' heartaches into a winning case; and the beauty-queen cheerleader crippled by the crash, whose testimony will determine everyone's fate. We experience the story from inside the heads of the four characters in turn--each knowing things the others don't, each misunderstanding the facts in his or her own way. The method resembles Faulkner's The Sound and the Fury and Gilbert Sorrentino's stunning Aberration of Starlight, but Banks's achievement is most comparable to John Updike's tales of ordinary small-towners preternaturally gifted with slangy eloquence, psychological insights, and alertness to life's tiniest details. Egoyan's film is haunting but vague--it leaves viewers in the dark regarding several critical plot points. Banks's book is more haunting still, and precise, making every revelation count, with a finale far superior to that of the film. It's also wittier than the too-sober flick: the lawyer dismisses the dome-dwelling hippie parents of one of the crash victims as being "lost in their Zen Little Indians fantasy," which casts a sharp light on them and him, too. He's lost in his calculations of how each parent will fit into the legal system, and the ways in which he fits into the tragedy are lost on him. If only he and the Vietnam-vet dad could read each other's account of their tense first encounter, both of them might get what the other is missing. Banks's wit is pitiless--it's painful when we discover that the bus driver, who prides herself on interpreting for her stroke-impaired husband, is translating his wise but garbled observations all wrong. The crash turns out not to be the ultimate tragedy: in the cold northern light of its aftermath, we discover that we're all in this alone.". Bestandsnummer des Verkäufers 019207

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