David MacFadyen investigates what made Riazanov's films so wildly popular and what - if any - relationship that popularity had to Soviet policy. Using the works of Deleuze, Lacan, and Kristeva, MacFadyen looks at how Riazanov's films relate to society, audience demand, and Soviet politics. In more than twenty love stories that have precious little to do with statecraft, Soviet or otherwise, Riazanov captures the willful inclusiveness of socialist culture.
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Anbieter: Hollywood Canteen Inc., Toronto, ON, Kanada
Soft Cover. Zustand: Very Good. 2026 mayFiled director bios. Bestandsnummer des Verkäufers 00203770
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Anbieter: HPB-Emerald, Dallas, TX, USA
paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Bestandsnummer des Verkäufers S_471495677
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Anbieter: Edmonton Book Store, Edmonton, AB, Kanada
Zustand: Very Good. Zustand des Schutzumschlags: No Dj. 8vo pp. 283, "This is a thorough, pioneering introduction to ldar Riazanov. MacFadyen challenges the Cold War oppositions of state vs entertainment, dogma vs dissidence, and public vs private that have dominated Western academic discussion of Soviet and post-Soviet art and media, elucidating their much more complex emotional and psychological structure in the light of post-Freudian? book. Bestandsnummer des Verkäufers 171283
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