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"Each of his works is found to be singular and sweeps the general technique called video along in an adventure that renders it irreplaceable, but irreplaceable among other irreplaceables, other unique effects of signature, even if it puts to work many other things, many other 'arts' that have nothing to do with video." -- Jacques Derrida, from "Videor"
"Time, this is what is central to video, it is not seeing as its etymological roots imply. Video's intrinsic principle is feedback." -- Gary Hill (From "Inter-view")
For more than twenty years Gary Hill has been at the cutting edge of video, often setting the terms for its development and pointing it in new, exciting directions. Since the mid-eighties, Hill has established himself as one of the major voices in the medium. His work has been the focus of major exhibitions and retrospectives at museums in Europe and the United States, including the Guggenheim Museum in Soho, the Whitney Biennial, and the Lyon Museum in France. He has received numerous awards, including the coveted MacArthur Award (1998).
Hill's work focuses on the poetic and philosophical implications of temporal perception. Tall Ships, for example, is a large-scale video installation that presents haunting images of isolated human figures in a darkened corridor, seen from a distance, then close up. Hill's representation of time in videos is partly informed by his adolescent experiences as a surfer in Southern California: his Learning Curve series invites the viewer to sit at the end of a long table and watch a black-and-white projection of a wave folding and unfolding upon itself. Other themes in Hill's work include meditations on the self-referentiality of the medium and explorations of the connections and conflicts between language and image.
This new volume in PAJ's Art + Performance series is the first critical edition devoted to Hill's work. Edited by Robert C. Morgan, it anthologizes a number of critical essays tracing Hill's reception from the mid-seventies to today, a series of informative interviews, as well as a selection of Hill's writings -- revealing him as an original and articulate thinker. The book also offers a detailed chronology of Hill's career, a bibliography and videography, and twenty-five photos from his installations. Morgan's introduction traces Hill's emergence as an artist out of the sixties' counter-culture and explores how his work creates dialogues with philosophers as diverse as Heidegger, Blanchot, Derrida, and Marshall McLuhan.
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paperback. Zustand: Very Good. Bestandsnummer des Verkäufers mon0003503900
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Soft cover. Zustand: Very Good. First Edition. 8vo - over 7¾" - 9¾" tall. Light bumps and shelf wear. Bestandsnummer des Verkäufers 019708
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Bestandsnummer des Verkäufers GOR007149191
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Zustand: As New. Like New condition. Author: morgan. (Art, Performance, Video Art, Criticism, Interpretation) A near perfect copy that may have very minor cosmetic defects. Bestandsnummer des Verkäufers SB08E-02070
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Anbieter: LEFT COAST BOOKS, Santa Barbara, CA, USA
Paperback. Zustand: Fine. 1st. vii, 348 pages, [24] pages of plates, illustrations 24 cm. Tight, clean copy. First printing. An excellent anthology of writings on the internationally-renowned video artist Gary Hill. This volume includes critical essays by Jacques Derrida, Raymond Bellour, John C. Hanhardt, Lynne Cooke, Regina Cornwell, others. "Time, this is what is central to video, it is not seeing as its etymological roots imply. Video's intrinsic principle is feedback."--Gary Hill (From "Inter-view"). For more than twenty years Gary Hill has been at the cutting edge of video, often setting the terms for its development and pointing it in new, exciting directions. Since the mid-eighties, Hill has established himself as one of the major voices in the medium. His work has been the focus of major exhibitions and retrospectives at museums in Europe and the United States, including the Guggenheim Museum in Soho, the Whitney Biennial, and the Lyon Museum in France. He has received numerous awards, including the coveted MacArthur Award (1998). Hill's work focuses on the poetic and philosophical implications of temporal perception. Tall Ships, for example, is a large-scale video installation that presents haunting images of isolated human figures in a darkened corridor, seen from a distance, then close up. Hill's representation of time in videos is partly informed by his adolescent experiences as a surfer in Southern California: his Learning Curve series invites the viewer to sit at the end of a long table and watch a black-and-white projection of a wave folding and unfolding upon itself. Other themes in Hill's work include meditations on the self-referentiality of the medium and explorations of the connections and conflicts between language and image. This new volume in PAJ's Art + Performance series is the first critical edition devoted to Hill's work. Edited by Robert C. Morgan, it anthologizes a number of critical essays tracing Hill's reception from the mid-seventies to today, a series of informative interviews, as well as a selection of Hill's writings--revealing him as an original and articulate thinker. The book also offers a detailed chronology of Hill's career, a bibliography and videography, and twenty-five photos from his installations. Morgan's introduction traces Hill's emergence as an artist out of the sixties' counter-culture and explores how his work creates dialogues with philosophers as diverse as Heidegger, Blanchot, Derrida, and Marshall McLuhan." Publisher. Size: 8vo. Collectible. Bestandsnummer des Verkäufers 001070
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Soft cover. Zustand: Near Fine. No Jacket. Bestandsnummer des Verkäufers 107223
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Trade Paperback. Zustand: Very Good. text clean and unmarked. binding tight. covers have very light wear. edges of pages have light wear. Bestandsnummer des Verkäufers 5045867
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