"Humanists and Reformers" portrays two great traditions in human history: the Italian Renaissance and the age of the Reformation. Bard Thompson provides a fascinating survey of these important historical periods under pressure of their own cultural, social, and spiritual experiences, exploring the bonds that held Humanists and Reformers together and the estrangements that drove them apart. In the section devoted to the Italian Renaissance, an opening historiography is followed by accounts of the struggles that underlie the Renaissance, the papacy and the rebuilding of Rome, the growth of capitalism, and the rise of the monarchies and city states. Separate histories of Venice, Milan, and Florence are provided and painters, sculptors, and architects of the Quattrocento and Cinquecento are also given full scope, including close-ups of Michelangelo and Raphael....The section devoted to the age of the Reformation includes coverage of Erasmus and the major figures of the Northern Renaissance; and the Reformers and their thought: Luther, Zwingli, the Anabaptists and Calvin....Throughout this volume Thompson gives special attention to subjects of note from both periods, such as: Castiglione's "Book of the Courtier," the emergence of printing, Andrea Mantegna, Titian and the Venetian painters, Leonardo da Vinci, Raphael's Vatican Stanze, Michelangelo's Medici tombs, art and poetry in early sixteenth-century France, St. Peter's Basilica, and Foxe's Book of Martyrs.
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Bard Thompson (1925-1987) received a PhD at Union Theological Seminary in 1952. Before coming to Lancaster Seminary in 1961 he served on the faculties of Candler School of Theology and the Divinity School of Vanderbilt University. He is the author of Liturgies of the Western Church (1961) and co-author with Howard Paine of Book of Prayers for Church and Home (1962). His lecture ""The Heidelberg Catechism and the Mercersburg Theology"" constituted his inaugural address as professor of church history at Lancaster Theological Seminary. The two other Thompson essays were given at Mission House Theological Seminary in June 1961 as part of the celebration of the centennial of that seminary. Hendrikus Berkhof (1914-1995) was a Dutch theologian who authored such books as Christ: The Meaning of History, The Doctrine of the Holy Spirit, and Christ and the Powers. Dr. Berkhof, after receiving his BD and ThD degrees at the University of Leiden, served as a minister for twelve years, as principal of the Theological Seminary of the Netherlands Reformed Church from 1950-1960 and as professor of dogmatics and biblical theology at the University of Leiden. Eduard Schweizer (1913-2006) was a Swiss New Testament scholar who taught for many years at the University of Zurich. A number of his studies have been translated into English, including Jesus the Parable of God, The Lord's Supper, and A Theological Introduction to the New Testament. Howard G. Hageman (1991-1992) was president of New Brunswick Theological Seminary from 1973 until 1985. He was also a minister of the North Reformed Church in Newark, New Jersey. A native of Lynn, Massachusetts, Dr. Hageman received his AB from Harvard University and his BD from New Brunswick Seminary. In 1957 he was granted an honorary DD by Central College in Pella, Iowa. Pulpit and Table grew out of the Stone Lectures delivered by Dr. Hageman at Princeton Seminary in 1960.
Humanists and Reformers portrays in a single, expansive volume two great traditions in human history: the Italian Renaissance and the age of the Reformation. Bard Thompson provides a fascinating survey of these important historical periods under pressure of their own cultural, social, and spiritual experiences, exploring the bonds that held Humanists and Reformers together and the estrangements that drove them apart. In the section of the book devoted to the Italian Renaissance, an opening historiography is followed by accounts of the struggles that underlay the Renaissance, the Renaissance papacy and the rebuilding of Rome, the growth of capitalism, and the rise of the monarchies and the city states. Separate histories of Venice, Milan, and Florence are provided, with special attention given to the Florentine humanists. Painters, sculptors, and architects of the Quattrocento and Cinquecento are also given full scope, including close-ups of Michelangelo and Raphael. Finally, the decline of the Renaissance in Italy is discussed as well as the voyages of discovery. The section devoted to the age of the Reformation includes detailed coverage of Erasmus and the major figures of the Northern Renaissance. It also extensively covers the Reformers and their thought: Luther, Zwingli, the Anabaptists and the left wing of the Reformation, Calvin, and the Counter-Reformation. The complex history of the Tudors to 1558 and the reign of Elizabeth I occupy the last large sections of the book. Throughout this volume Thompson gives special attention to subjects of note from both periods in engaging excursuses: Castiglione's Book of the Courtier, the emergence of printing, Andrea Mantegna, Titian and theVenetian painters, Leonardo da Vinci, Giannozzo Manetti, Benozzo Gozzoli's Procession of the Magi, Raphael's Vatican Stanze, Michelangelo's Medici tombs, art and poetry in early sixteenth-century France, Zwingli's thought, St. Peter's Basilica, and Foxe's Book of Martyrs.
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