In his examination of the rise of the “great symphony” as a critical category that carried with it a nearly impossible standard to meet, Walter Frisch provides a rich context in which to understand Brahms’s well-known early struggle with the genre. Kenneth Hull suggests that Brahms used ironic allusions to Bach and Beethoven in the tragic Fourth Symphony in order to subvert the enduring assumption that a minor-key symphony will end triumphantly in the major mode. Peter H. Smith examines Brahms’s late style by concentrating on Neapolitan tonal relations in the Clarinet Sonata in F Minor. Finally, David Brodbeck delineates the complex evolution of Brahms’s reception of Mendels-sohn’s music.
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Anbieter: Grey Matter Books, Hadley, MA, USA
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Volume 2 ONLY. Text is unmarked; pages are bright, though the page edges are a bit age toned. There is a remainder mark on the bottom edge of the pages. Binding is sturdy. Dust jacket shows a little light wear around the corners and at the head and base of the spine; the dust jacket spine is faded. International/Priority shipping at cost. Bestandsnummer des Verkäufers 072741
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Anbieter: Superbbooks, San Francisco, CA, USA
Hardcover. Zustand: Near Fine. PAGES And BINDING And DUST JACKET In EXCELLENT CONDITION. HARDBACK. As Shown. Published by Univ of Nebraska, 1998. Approximately 7 ½ X 11. 242 pages. (From the collection of, and signed by, a symphonic conductor/Princeton professor). Bestandsnummer des Verkäufers 007318
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