The Moor's Account: . - Softcover

Lalami, Laila

Softcover

ISBN 10: 0804170622 ISBN 13: 9780804170628

Verlag: Knopf Doubleday Publishing Group, 2015

Inhaltsangabe

PULITZER PRIZE FINALIST • A NEW YORK TIMES NOTABLE BOOK • The imagined memoirs of the first black explorer of America—this "stunning [book] sheds light on all of the possible the New World exploration stories that didn’t make history” (Huffington Post).

In these pages, Laila Lalami brings us the invented memoirs Mustafa al-Zamori, called Estebanico. The slave of a Spanish conquistador, Estebanico sails for the Americas with his master, Dorantes, as part of a danger-laden expedition to Florida. Within a year, Estebanico is one of only four crew members to survive.

As he journeys across America with his Spanish companions, the Old World roles of slave and master fall away, and Estebanico remakes himself as an equal, a healer, and a remarkable storyteller. His tale illuminates the ways in which our narratives can transmigrate into history—and how storytelling can offer a chance at redemption and survival.

Über diesen Titel

Über die Autorin bzw. den Autor

Laila Lalami is the author of the short story collection Hope and Other Dangerous Pursuits, which was a finalist for the Oregon Book Award, and the novel Secret Son, which was on the Orange Prize long list. Her essays and opinion pieces have appeared in the Los Angeles Times, The Washington Post, The Nation, The Guardian, and The New York Times, and in many anthologies. She is the recipient of a British Council Fellowship, a Fulbright Fellowship, and a Lannan Residency Fellowship and is an associate professor of creative writing at the University of California at Riverside. She lives in Los Angeles.

www.lailalalami.com

Von der hinteren Coverseite

**PULITZER PRIZE FINALIST**

**NOMINATED FOR THE MAN BOOKER PRIZE**

**WINNER OF THE AMERICAN BOOK AWARD**



A New York Times Notable Book

A Wall Street Journal Top 10 Book of the Year

An NPR Great Read of 2014

A Kirkus Best Fiction Book of the Year



In these pages, Laila Lalami brings us the imagined memoirs of the first black explorer of America: Mustafa al-Zamori, called Estebanico. The slave of a Spanish conquistador, Estebanico sails for the Americas with his master, Dorantes, as part of a danger-laden expedition to Florida. Within a year, Estebanico is one of only four crew members to survive.



As he journeys across America with his Spanish companions, the Old World roles of slave and master fall away, and Estebanico remakes himself as an equal, a healer, and a remarkable storyteller. His tale illuminates the ways in which our narratives can transmigrate into history-and how storytelling can offer a chance at redemption and survival.

Aus dem Klappentext

A New York Times Notable Book
A Wall Street Journal Top 10 Book of the Year
An NPR Great Read of 2014
A Kirkus Best Fiction Book of the Year

In these pages, Laila Lalami brings us the imagined memoirs of the first black explorer of America: Mustafa al-Zamori, called Estebanico. The slave of a Spanish conquistador, Estebanico sails for the Americas with his master, Dorantes, as part of a danger-laden expedition to Florida. Within a year, Estebanico is one of only four crew members to survive.
As he journeys across America with his Spanish companions, the Old World roles of slave and master fall away, and Estebanico remakes himself as an equal, a healer, and a remarkable storyteller. His tale illuminates the ways in which our narratives can transmigrate into history-and how storytelling can offer a chance at redemption and survival.

Auszug. © Genehmigter Nachdruck. Alle Rechte vorbehalten.

8.
 
The Story of Seville
 
All around me, voices rose and fell. Shackled slaves spoke in an overlapping multitude of languages, this one asking after an uncle, this other comforting a child, and yet these others arguing about a piece of moldy bread, their cries periodically interrupted by the bleating of goats from the animal stalls. But for a long time, I kept to my silence, wrapping myself in it like an old, comfortable cloak. I think I was still trying to apprehend the consequences of what I had done. For hours on end, I revisited the long sequence of events that had led me from the soft divans and rhythmic guenbris of my graduation feast to the timber bench and jangling chains of the caravel Jacinta, sailing with frightening speed toward the city of Seville. I had played my part in these events—I had made my decisions freely and independently at each juncture, and yet I was stunned by the turn my life had taken. The elders teach us: give glory to God, who can alter all fates. One day you could be selling slaves, the next you could be sold as a slave.
 
The hunger I had felt so keenly in Azemmur was tamed now, if not satisfied, by the hard bread the sailors distributed once a day, though it was quickly replaced by a renewed acquaintance with all of my body’s other senses and needs. My head itched from the lice my neighbor, an old man with pockmarks dotting his face, had given me. My soiled clothes stuck to my skin, because I could not bring myself to use, on command and with little notice, the bucket that was passed up and down the gallery twice a day. My limbs grew stiff from sitting in damp and narrow quarters. My throat hurt, my feet swelled, my wrists bled. Above all, my heart ached with longing for my family.
 
My family. They had, all of them, learned to accept their fates. Without complaint my sister had spent her girlhood watching over our twin brothers, and without protest she had returned home after her divorce. My brothers went to school every day hoping to fulfill my father’s dreams, dreams I had cruelly broken and then bequeathed to them. My mother had left her beloved people and her distinguished hometown in order to follow my father to Azemmur.
 
As for me, I had made a habit of defying my fate. Perhaps I could do that now and find a way back to my old life. I thought of the elder al-Dib, my employer in Azemmur, who had been born to a slavewoman, but had earned his freedom as a youth. Perhaps I could do the same. Perhaps my talent would be recognized by my master, who would let me purchase my freedom; or perhaps my misery would touch the heart of an Andalusian Muslim, who would free me from bondage in order to earn the favor of our Lord. To overcome my fear, I shackled myself with hope, its links heavier than any metal known to man.
 
Having convinced myself that my condition was temporary, I set about trying to survive it. I taught myself to ignore the stench of excretions, the moans of delirium, the sight of private parts. I learned to push back into my throat the rising taste of vomit. I tried to watch out for the rats. I slept only when my exhaustion overpowered my discomfort. And I passed the time by listening to the stories the women told their children, after the guards had left and the doors were locked for the night. In the darkness of the lower deck, the women brought to life a world entire, a world where sly girls outwitted hungry ghouls and where simple cobblers saved powerful sultans, so that at times it seemed to me I could see the ghouls’ sharp teeth or the sultan’s embroidered slippers.

Then, early one morning, the anchor was dropped, its tug faintly resonating through the varnished wood under my feet. I listened to the footsteps on the upper deck. Did the customs officer come aboard to greet the captain? Was that the stevedore inquiring about the merchandise? Then at last the deck door was flung wide open. A rush of cold air blasted into the lower deck, where it met with the suppressed heat and terrified silence of two hundred slaves. Row by row, we were unshackled and led up the stairs.
 
When I reached the upper deck, the blinding white light made me recoil in pain and I staggered like a drunkard, but after three weeks in closed quarters I was so hungry for the untainted smell of open air that I took my hands off my face. Seville reeked of fried fish, but its air was not briny, and there was a whiff of smoke coming from somewhere in the port. The morning chill gave me goose bumps and I put my arms around me, all the while steadying myself on my feet. Finally, I opened my eyes.
 
All around me were men whose faces were covered in brightly colored kerchiefs, with openings for the eyes. They carried long sticks, with which they prodded me to the way out. As I went down the ship’s rope ladder, I saw that I was on a wide river. It ran fast, just like the Umm er-Rbi’, and yet its sound, the particular melody it made as it rumbled beneath the ship, was different. Later, when I would learn that this river was called the Guadalquivir, the Arabic name would at once delight me with its familiarity and repulse me with its reminder of my personal humiliation. The city of Seville did not have a pier like the one in Azemmur, so we had to be taken by rowboat to the riverbank. The sky above was a turquoise blue, cut through by the black masts and white sails of the ships
around us.
 
On the shore, a man whose face was hidden behind a yellow kerchief was separating the healthy from the lame, the sturdy from the weak, the young from the old. He jabbed me with a stick, and then pointed me to the first line. All around me, the port hummed with the sounds of sailors, officers, porters, and scribes, each hurriedly going about his business. Two men standing next to a tall stack of crates were having a loud argument, I remember, and one of them seized the other by his collar. Beyond the port, the city’s white, square homes were slowly rising from their slumber. Carts creaked on the cobblestone. Horses clopped in the distance. Somewhere, I knew, a father was sitting down for a morning meal with his family. Somewhere, a child was receiving her bowl of milk. Somewhere, a brother was closing the door of his house behind him as he went to work. And I was here, at the port, ready to be sold once again.
 
A man with a red kerchief grouped a dozen of us together, the way farmers collect their eggs or bakers their loaves, tied our hands to one another with thick rope, and led us away from the port. It was a long and painful walk, because we were all weak from hunger and idleness. Periodically one of us fell and had to be helped up, but our wretched procession drew no stares of interest or curiosity from the many people we passed. Each one went about his business without the slightest pause. At a bend in the road I caught the first glimpse of an imposing tower, which looked very much like the minarets at home. What is the name of that tower? I asked the man with the red kerchief. La Giralda, he said without turning. I had heard of La Giralda years earlier—it had been built by the Almohad sultans as a replica of the Kutubiya in Marrakesh—and I had even fantasized of seeing it someday, but never under these circumstances.
 
Around the corner from La Giralda, we stopped in front of a tall edifice, with large wooden doors and an imposing facade. As we ascended the marble steps, an older man in our group slipped and fell and we all tumbled in a pile over him. The slave merchant clicked his tongue at the delay we were causing him—his long day, already filled with labor, was made more difficult by our clumsiness. The fallen man stood up, his palm over his broken tooth and bloodied lips, even as the...

Details zur Ausgabe

• Verlag: Knopf Doubleday Publishing Group
• Erscheinungsdatum: 2015
• Sprache: Englisch
• ISBN 10: 0804170622
• ISBN 13: 9780804170628
• Einband: Taschenbuch
• Anzahl der Seiten: 336
• Kontakt zum Hersteller: EDITIONS GALLIMARD; ufficio.anagrafiche@meli.it; ; Via Verdi, 8.; Assago Milano; 20090; Italien