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The Matrix of Visual Culture: Working with Deleuze in Film Theory (Cultural Memory in the Present) - Hardcover
Inhaltsangabe
This book explores Gilles Deleuze's contribution to film theory. According to Deleuze, we have come to live in a universe that could be described as metacinematic. His conception of images implies a new kind of camera consciousness, one that determines our perceptions and sense of selves: aspects of our subjectivities are formed in, for instance, action-images, affection-images and time-images. We live in a matrix of visual culture that is always moving and changing. Each image is always connected to an assemblage of affects and forces. This book presents a model, as well as many concrete examples, of how to work with Deleuze in film theory. It asks questions about the universe as metacinema, subjectivity, violence, feminism, monstrosity, and music. Among the contemporary films it discusses within a Deleuzian framework are Strange Days, Fight Club, and Dancer in the Dark.
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Über die Autorin bzw. den Autor
Patricia Pisters is Professor of Film at the University of Amsterdam.
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This book explores Gilles Deleuze's contribution to film theory. According to Deleuze, we have come to live in a universe that could be described as metacinematic. His conception of images implies a new kind of camera consciousness, one that determines our perceptions and sense of selves: aspects of our subjectivities are formed in, for instance, action-images, affection-images and time-images. We live in a matrix of visual culture that is always moving and changing. Each image is always connected to an assemblage of affects and forces. This book presents a model, as well as many concrete examples, of how to work with Deleuze in film theory. It asks questions about the universe as metacinema, subjectivity, violence, feminism, monstrosity, and music. Among the contemporary films it discusses within a Deleuzian framework are Strange Days, Fight Club, and Dancer in the Dark.
Aus dem Klappentext
This book explores Gilles Deleuze's contribution to film theory. According to Deleuze, we have come to live in a universe that could be described as metacinematic. His conception of images implies a new kind of camera consciousness, one that determines our perceptions and sense of selves: aspects of our subjectivities are formed in, for instance, action-images, affection-images and time-images. We live in a matrix of visual culture that is always moving and changing. Each image is always connected to an assemblage of affects and forces. This book presents a model, as well as many concrete examples, of how to work with Deleuze in film theory. It asks questions about the universe as metacinema, subjectivity, violence, feminism, monstrosity, and music. Among the contemporary films it discusses within a Deleuzian framework are Strange Days, Fight Club, and Dancer in the Dark.
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- VerlagStanford University Press
- Erscheinungsdatum2003
- ISBN 10 0804740275
- ISBN 13 9780804740272
- EinbandTapa dura
- SpracheEnglisch
- Anzahl der Seiten318
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The Matrix of Visual Culture: Working with Deleuze in Film Theory (Cultural Memory in the Present)
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ISBN 13: 9780804740272
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Matrix of Visual Culture : Working With Deleuze in Film Theory
Verlag:
Stanford University Press, 2003
ISBN 10: 0804740275
ISBN 13: 9780804740272
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Zustand: New. This work explores Gilles Deleuze's contribution to film theory. According to Deleuze, we have come to live in a new universe that could be described as metacinematic. His conception of images implies a new kind of camera consciousness, one that determines our perceptions and sense of selves. Series: Cultural Memory in the Present. Num Pages: 320 pages. BIC Classification: APFA. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 5817 x 3887 x 23. Weight in Grams: 544. . 2003. Hardback. . . . . Bestandsnummer des Verkäufers V9780804740272
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Zustand: New. This work explores Gilles Deleuze's contribution to film theory. According to Deleuze, we have come to live in a new universe that could be described as metacinematic. His conception of images implies a new kind of camera consciousness, one that determines our perceptions and sense of selves. Series: Cultural Memory in the Present. Num Pages: 320 pages. BIC Classification: APFA. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 5817 x 3887 x 23. Weight in Grams: 544. . 2003. Hardback. . . . . Books ship from the US and Ireland. Bestandsnummer des Verkäufers V9780804740272
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ISBN 10: 0804740275
ISBN 13: 9780804740272
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Buch. Zustand: Neu. Neuware - This book explores Gilles Deleuze's contribution to film theory. According to Deleuze, we have come to live in a universe that could be described as metacinematic. His conception of images implies a new kind of camera consciousness, one that determines our perceptions and sense of selves: aspects of our subjectivities are formed in, for instance, action-images, affection-images and time-images. We live in a matrix of visual culture that is always moving and changing. Each image is always connected to an assemblage of affects and forces. This book presents a model, as well as many concrete examples, of how to work with Deleuze in film theory. It asks questions about the universe as metacinema, subjectivity, violence, feminism, monstrosity, and music. Among the contemporary films it discusses within a Deleuzian framework are Strange Days, Fight Club, and Dancer in the Dark. Bestandsnummer des Verkäufers 9780804740272
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