Over the past decade, the works of Dawn Powell (1896-1965) have enjoyed a spectacular revival. Now Tim Page has written the first biography of this brilliant and insightful American author, whose longtime cult following has blossomed into well-deserved general popularity.
Powell came to New York City at the age of twenty-one, a gifted and ambitious young woman from small-town Ohio. There she would live for another forty-seven years, but she always managed to maintain the fresh perspective of a "permanent visitor," exalting the multiplicity and sheer sensory overload of her beloved Manhattan. This is what she distilled into her extensive and impressive body of work: hundreds of short stories and articles, dozens of poems, at least ten plays, a magnificent diary that spans thirty-five years, and - the achievement that meant the most to her - a number of dizzying and inventive novels.
For such a witty woman, Powell lived a restless and troubled life. Her youth was a ghastly one, a long series of deaths, disruptions, and petty cruelties. Her only son was born mentally and emotionally impaired, and her husband became an alcoholic. She drank too much herself and suffered from mysterious health problems for most of her life. Her mood swings were drastic and sometimes incapacitating. In her sixties, she was desperately poor and, indeed, essentially homeless for a time.
Throughout it all, she persevered - and now, with the reissue of her life's work, she has triumphed.
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Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Paperback. Zustand: Fair. As climate change, war, social injustice, gender and racial inequality, unchecked technology and exploitative capitalism remain urgent issues, the worldwide craft community has responded in notable ways. In this follow-up to>Craft is Political (Bloomsbury, 2021), D Wood and contributors demonstrate how global circumstances have given rise to additional craft scholarship that further interrogates the political agency of craft.With extensive global focus, this book features twenty-two essays on craft and politics that transcend the familiar Euro-American canon and demonstrate change through craft. Particular attention is brought to the Global South with authors writing about Brazil, Chile, India, Laos, Malaysia, Morocco, Nigeria and Thailand. Chapters look at the erasure of Moroccan women weavers' stories and digital archiving of Black craftspeople in the USA. They explore pottery and eel pots critical to the identity of Virginian Indian tribes, and women's roles in Nigeria as depicted in ceramic art. One author reveals the revival of traditional practices in Laos, and another the increasing recognition of previously-maligned Sami people of Sweden. Essays also explore craft sustainment in Finland, hand loom weaving in colonial north India, women's craft organizations in Northern Ireland and an Australian textile artist's exhibition devoted to climate change grief. Craft by LGBTQ artists from Malaysia and Canada is included. The mix of essays is topical, enlightening and intended to be provocative of the political agency of craft. Bestandsnummer des Verkäufers 00099834491
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Anbieter: World of Books Inc, Montgomery, IL, USA
Paperback. Zustand: Fair. As climate change, war, social injustice, gender and racial inequality, unchecked technology and exploitative capitalism remain urgent issues, the worldwide craft community has responded in notable ways. In this follow-up to>Craft is Political (Bloomsbury, 2021), D Wood and contributors demonstrate how global circumstances have given rise to additional craft scholarship that further interrogates the political agency of craft.With extensive global focus, this book features twenty-two essays on craft and politics that transcend the familiar Euro-American canon and demonstrate change through craft. Particular attention is brought to the Global South with authors writing about Brazil, Chile, India, Laos, Malaysia, Morocco, Nigeria and Thailand. Chapters look at the erasure of Moroccan women weavers' stories and digital archiving of Black craftspeople in the USA. They explore pottery and eel pots critical to the identity of Virginian Indian tribes, and women's roles in Nigeria as depicted in ceramic art. One author reveals the revival of traditional practices in Laos, and another the increasing recognition of previously-maligned Sami people of Sweden. Essays also explore craft sustainment in Finland, hand loom weaving in colonial north India, women's craft organizations in Northern Ireland and an Australian textile artist's exhibition devoted to climate change grief. Craft by LGBTQ artists from Malaysia and Canada is included. The mix of essays is topical, enlightening and intended to be provocative of the political agency of craft. Bestandsnummer des Verkäufers CIN0805063013A
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