Written by an eminent scholar in a style that represents American musicological writing at its communicative best, A History of the Oratorio offers a synthesis and critical appraisal so exhaustive and reliable that the serious student of the oratorio will be compelled to look to these volumes as an indispensable source. No work on the history of the oratorio has yet appeared in the English language that is comparable in scope and treatment with Howard Smither's comprehensive four-volume work.
The first part of volume 2 examines in depth the antecedents and origins of the oratorio in Protestant Germany in the seventeenth century. It includes discussions of the Lutheran Historia, sacred dramatic dialogues, and the Lubeck Abendmusiken of Buxtehude. The second part treats the oratorio in Protestant Germany in the early eighteenth century and examines Handel, Reinhard Keiser, and J.S. Bach. The third part considers primarily the English oratorios of Handel. In most sections of A History of the Oratorio, the author has selected for special attention a few oratorios that are representative of each geographical area and period. An exception to this procedure is in the section on Handel in this volume, where all of the composer's English oratorios are treated fully with particular reference to recent specialized Handel studies.
Volume 1, The Oratorio in the Baroque Era: Italy, Vienna, Paris, and Volume 3, The Oratorio in the classical Era, expand and continue the study of oratorio history. Although this series was originally announced as a three-volume study, Smither will conclude with a fourth volume.
Originally published in 1977.
A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: JPH Books, Chapel Hill, NC, USA
Hardcover. Zustand: Fine. No Jacket. Bestandsnummer des Verkäufers 001992
Anzahl: 1 verfügbar
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Bestandsnummer des Verkäufers 953552-20
Anzahl: 2 verfügbar
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Bestandsnummer des Verkäufers G0807812943I3N10
Anzahl: 1 verfügbar
Anbieter: Campus Bookstore, Denton, TX, USA
hardcover. Zustand: Good. May contain highlighting/underlining/notes/etc. May have used stickers on cover. Access codes and supplements are not guaranteed to be included with used books. Ships same or next day. Expedited shipping: 3-5 business days, Standard shipping: 4-14 business days. Bestandsnummer des Verkäufers mon0000186313
Anzahl: 1 verfügbar
Anbieter: Alplaus Books, Alplaus, NY, USA
Hardcover. Zustand: Good. Zustand des Schutzumschlags: Missing. Volume 2: The Oratorio in the Baroque Era, Protestant Germany and England. Hardbound without dust jacket. Pages unmarked, moderate wear. Bestandsnummer des Verkäufers 76683
Anzahl: 1 verfügbar
Anbieter: CorgiPack, Fulton, NY, USA
Hardcover. Zustand: VG. Dust jacket condition: No Jacket. Written by an eminent scholar in a style that represents American musicological writing at its communicative best, A History of the Oratorio offers a synthesis and critical appraisal so exhaustive and reliable that the serious student of the oratorio will be compelled to look to these volumes as an indispensable source. No work on the history of the oratorio has yet appeared in the English language that is comparable in scope and treatment with Howard Smither's comprehensive four-volume work. The first part of volume 2 examines in depth the antecedents and origins of the oratorio in Protestant Germany in the seventeenth century. It includes discussions of the Lutheran Historia, sacred dramatic dialogues, and the Lubeck Abendmusiken of Buxtehude. The second part treats the oratorio in Protestant Germany in the early eighteenth century and examines Handel, Reinhard Keiser, and J.S. Bach. The third part considers primarily the English oratorios of Handel. In most sections of A History of the Oratorio, the author has selected for special attention a few oratorios that are representative of each geographical area and period. An exception to this procedure is in the section on Handel in this volume, where all of the composer's English oratorios are treated fully with particular reference to recent specialized Handel studies. Volume 1, The Oratorio in the Baroque Era: Italy, Vienna, Paris, and Volume 3, The Oratorio in the classical Era, expand and continue the study of oratorio history. Although this series was originally announced as a three-volume study, Smither will conclude with a fourth volume. Originally published in 1977. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value. About the Author: Howard E. Smither is James Gordon Hanes Professor of the Humanities in Music at the University of North Carolina at Chapel Hill. 393 pages. Bestandsnummer des Verkäufers 069211
Anzahl: 1 verfügbar
Anbieter: SHIMEDIA, Brooklyn, NY, USA
Zustand: New. Satisfaction Guaranteed or your money back. Bestandsnummer des Verkäufers 0807812943