An anthology. 1990 304 S.
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Anbieter: Bookmans, Tucson, AZ, USA
Hardcover. Zustand: Acceptable. Well-illustrated (illustrator). Highlighting/Underlining/Notes etc. Satisfaction 100% guaranteed. Bestandsnummer des Verkäufers mon0002492969
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Hardcover. Zustand: Good. No Jacket. Well-illustrated (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Bestandsnummer des Verkäufers G0810919087I3N00
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Anbieter: Twice Sold Tales, Ashfield, MA, USA
Hardcover. Zustand: Very Good. Well-illustrated (illustrator). minor highlighting - minor stain to page edge - otherwise dust jacket and cover fine binding strong contents fine - enjoy. Bestandsnummer des Verkäufers AQ-P8QB-VVML
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Anbieter: Owl Pen Books, Greenwich, NY, USA
Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Well-illustrated (illustrator). Harry N Abrams Inc, 1990 A little shelfwear to edges. Subtle scuffing to gloss coating of jacket. Some sunning to top edge. Interior age-toned around edges. Previous owner's embossed ex-libris at FFEP. [S-Art]. Hardcover. Good/Good. Bestandsnummer des Verkäufers ABE-1741793615364
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Anbieter: ANARTIST, New York, NY, USA
Well-illustrated (illustrator). Hardcover with dustjacket; 304 pages; very good condition; light rubbing to dj; no internal marks. Foreign shipping may be extra. Bestandsnummer des Verkäufers AbRoHa50
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Anbieter: Argosy Book Store, ABAA, ILAB, New York, NY, USA
hardcover. Zustand: fine. Zustand des Schutzumschlags: fine. Well-illustrated (illustrator). 69 illustrations, 12 in full color. 304pp, 4to, red cloth, dust wrapper. New York; Harry N. Abrams, (1990). A fine copy in a fine dust wrapper. Bestandsnummer des Verkäufers 282216
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Anbieter: LEFT COAST BOOKS, Santa Maria, CA, USA
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st. Cloth, 304 pages, illustrations (some colour), portraits; 26 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. A fine copy of the first printing. *** "In the years following the end of the Second World War American artists discovered a radically form of expression. Initially denigrated as the 'spatter-and-daub' school of art, the movement quickly found a name--Abstract Expressionism--and a devoted band of admirers. The paintings they made and the vision and principles that guided their work changed forever the way we look at art. Here, for the first time in one volume, the creators and critics of this movement speak for themselves in a collection of essays, magazine and newspaper articles, transcripts of symposia, letters to editors, and private correspondence. The artists included are Willem de Kooning, Adolph Gottlieb, Philip Guston, Hans Hoffman, Franz Kline, Robert Motherwell, Barnett Newman, Jackson Pollock, Ad Reinhardt, Mark Rothko, David Smith, and Clyfford Still. Among the critics are Robert Coates--who first coined the term 'Abstract Expressionism'--Clement Greenberg, Robert Rosenblum, Meyer Schapiro, and John Canaday. Included as well are many of the reviews that appeared abroad as Europeans became aware of the New World's new vision. The new painters found themselves spoken of--and often ridiculed--as a group, and indeed, they knew each other and frequently met both informally and in symposia and group shows. But their work was highly individual, and the term 'Abstract Expressionism' came to encompass works as varied as Willem de Kooning's explosive, colorful canvases and Ad Reinhardt's cool, symmetrical paintings. Looking back, even from a forty-year perspective, the radical break with the past forged by these artists is astonishing. From what sources did this new aesthetic arise? How can works so different be grouped under one label? Was there, in fact, a common ground at all on which these artists stood? And why did this happen when and where it did? To look for answers to these questions, we must begin with the artists themselves, and with the critics who first saw and talked about their works. Artist/writer Clifford Ross, who compiled this anthology, provides and introduction to the period and the movement. Ross, who graduated from Yale University in 1974 with a degree in art and art history, is the author of Phantasmagorey: The Work of Edward Gorey. His paintings are in numerous collections, including The Metropolitan Museum of Art, the Corcoran Gallery of Art, and the Albright-Knox Art Gallery." - Publisher. *** CONTENTS: Pt. I. Creators; Willem de Kooning; Adolph Gottlieb; Philip Guston; Hans Hoffman; Franz Kline; Robert Motherwell; Barnett Newman; Jackson Pollock; Ad Reinhardt; Mark Rothko; David Smith; Clyfford Still; Group statements; Pt. II. Critics; International reviews. Size: 4to. Collectible. Bestandsnummer des Verkäufers 211333
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Anbieter: Antiquariat Orban & Streu GbR, Frankfurt am Main, Deutschland
4°, 304 S. mit zahlreichen s/w-Abbildungen, Text: englisch, original Leineneinband (Hardcover) mit original Schutzumschlag, sehr schönes, sauberes Exemplar. Abholung im Ladengeschäft in Frankfurt am Main (Nordend ggü. Musterschule) möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main (Nordend, close to Musterschule) is possible. It saves the shipping costs. Bestandsnummer des Verkäufers 20757CB
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Anbieter: GoldBooks, Denver, CO, USA
Hardcover. Zustand: new. Well-illustrated (illustrator). New Copy. Customer Service Guaranteed. Bestandsnummer des Verkäufers 38J83_42_0810919087
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Anbieter: SHIMEDIA, Brooklyn, NY, USA
Zustand: New. Well-illustrated (illustrator). Satisfaction Guaranteed or your money back. Bestandsnummer des Verkäufers 0810919087