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Inhaltsangabe
Looks back on the Paris World's Fair of 1900, and surveys its artwork and the artists who produced it
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1900: Art at the Crossroads
Verlag:
Harry N. Abrams (edition First Edition), 2000
ISBN 10: 0810943034
ISBN 13: 9780810943032
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1900: Art at the Crossroads
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Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Bestandsnummer des Verkäufers GOR006673714
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1900: Art at the Crossroads
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Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Bestandsnummer des Verkäufers G0810943034I3N10
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1900: Art at the Crossroads
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Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less. Bestandsnummer des Verkäufers G0810943034I2N00
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Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Bestandsnummer des Verkäufers G0810943034I3N00
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Zustand: Good. Good condition. Acceptable dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. Bestandsnummer des Verkäufers J14B-02344
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1900: Art at the Crossroads
Verlag:
Harry N. Abrams, 2000
ISBN 10: 0810943034
ISBN 13: 9780810943032
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Anbieter: Sheapast Art and Books, Sherman Oaks, CA, USA
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Hardcover. Zustand: Very Good. Dust Jacket Included. 1st Edition. 1900: Art at the Crossroads by Rosenblum, Stevens and Dumas published by Abrams. Hardcover in dustjacket An exhibition organized by The Royal Academy of Arts, London, and the Solomon R. Guggenheim Museum, New York, 1900: Art at the Crossroads examines the diverse range of artworks produced during this period. While artists such as C?zanne, Degas, Rodin, and Klimt were well known by the turn of the century, lesser-known artists were making art that equally reflected the stylistic and social concerns of this epoch. In his essay, the Guggenheim's Rosenblum explores various related themes that are woven within the paintings and sculpture. These include subjects such as fantasy vs. reality, the representation of women, and the new psychological probity. The Royal Academy's Stevens shows how the Exposition Universelle of 1900 in Paris and the issue of nationalism as well as the genesis of international styles in the art of this period foreshadowed developments and the rest of the 20th century. The catalog portion of this book is illustrated with color plates of all the works in the exhibition and divided by theme, such as the city, landscape, portraits, bathers and nudes, and religion. This handsome volume is recommended for general art collections as well as academic and art libraries. "VERY GOOD CONDITION" HEAVY VOLUME would incur EXTRA SHIPPING CHARGES. BX3-C. Bestandsnummer des Verkäufers BX3-20
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1900: Art at the Crossroads
Verlag:
Harry N. Abrams, New York, 2000
ISBN 10: 0810943034
ISBN 13: 9780810943032
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Anbieter: Riverside Books and Prints, Cold Spring, NY, USA
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Hardcover. Zustand: As New. Zustand des Schutzumschlags: Near Fine. 1st Edition. Harry N. Abrams, Inc., Publishers, New York, 2000. Hardcover. Condition:AS NEW. Dust Jacket Condition: Near Fine. 1st. 445 pp., illus. (some col.); 32 cm. Published on the occasion of the exhibition at the Royal Academy of Arts, London, and the Solomon R. Guggenheim Museum, NY. BRAND NEW. A fine copy. OVERSIZE! No priority/international, except by special arrangement. An intriguing selection of Western art from c. 1900, organized thematically. Richly illustrated with colour plates. "Exactly 100 years ago, art was at a crossroads. Painters such as Sargent, Whistler, Homer, and Rouault were widely acclaimed. Cézanne, Degas, Gauguin, Toulouse-Lautrec, Rodin, Munch, Klimt, and other modern masters were in their prime. And the revolutionaries who would go on to change the course of Western art - Picasso, Matisse, Mondrian, Kandinsky, and Nolde, among others - were just getting started. This book, the companion volume to a major international exhibition, provides an eye-opening look at what these and other artists were creating in this watershed year. Organized by subject - from bathers, femmes fatales, and self-portraits to rural scenes, religion, and social comment - and featuring more than 300 colorplates, the book presents both famous and less well-known works. By including a wide range of paintings and sculptures executed at roughly the same time, Robert Rosenblum and MaryAnne Stevens illuminate the cultural crosscurrents that were reshaping Western art - including nationalism, psychology, and technology - and help us see familiar masterworks with a fresh eye. / ROBERT ROSENBLUM is professor of fine arts at New York University, a curator at the Solomon R. Guggenheim Museum in New York City, and a contributing editor at ArtForum. His 14 previous books include such classics as Abrams' Cubism and 20th-Century Art and, with H. W. Janson, 19th-Century Art." - Publisher. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue. Bestandsnummer des Verkäufers 005638
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