The Haunted House (Modern Library Classics) - Softcover

Dickens, Charles

Softcover

ISBN 10: 0812973062 ISBN 13: 9780812973068

Verlag: Random House Publishing Group, 2004

Inhaltsangabe

On Christmas Eve, a party of friends descends on a purportedly haunted country retreat, charged with the task of discovering evidence of the supernatural. Sequestered in their rooms for the holiday, the friends reconvene on Twelfth Night at a great feast and share their stories of spectral encounter. “Conducted” by Charles Dickens and counting Elizabeth Gaskell and Wilkie Collins among its contributors, The Haunted House examines quintessentially Victorian themes–sex and longing, nostalgia and loss–in ways that continue to resonate today. Ingeniously conceived and written, and spiked with flashes of Dickensian humor, this volume is a strange and sheer delight.

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Über die Autorin bzw. den Autor

WESLEY STACE is the author of the novel Misfortune. Under the name John Wesley Harding, he has recorded more than a dozen albums, most recently Adam’s Apple. He lives in Brooklyn.

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The Mortals in the House

Charles Dickens under none of the accredited ghostly circumstances, and environed by none of the conventional ghostly surroundings, did I first make acquaintance with the house which is the subject of this Christmas piece. I saw it in the daylight, with the sun upon it. There was no wind, no rain, no lightning, no thunder, no awful or unwonted circumstance, of any kind, to heighten its effect. More than that: I had come to it direct from a railway station; it was not more than a mile distant from the railway station; and, as I stood outside the house, looking back upon the way I had come, I could see the goods train running smoothly along the embankment in the valley. I will not say that everything was utterly common-place, because I doubt if anything can be that, except to utterly common-place people—and there my vanity steps in; but, I will take it on myself to say that anybody might see the house as I saw it, any fine autumn morning.

The manner of my lighting on it was this.

I was travelling towards London out of the North, intending to stop by the way, to look at the house. My health required a temporary residence in the country; and a friend of mine who knew that, and who had happened to drive past the house, had written to me to suggest it as a likely place. I had got into the train at midnight, and had fallen asleep, and had woke up and had sat looking out of the window at the brilliant Northern Lights in the sky, and had fallen asleep again, and had woke up again to find the night gone, with the usual discontented conviction on me that I hadn’t been to sleep at all;—upon which question, in the first imbecility of that condition, I am ashamed to believe that I would have done wager by battle with the man who sat opposite me. That opposite man had had, through the night—as that opposite man always has—several legs too many, and all of them too long. In addition to this unreasonable conduct (which was only to be expected of him), he had had a pencil and a pocket-book, and had been perpetually listening and taking notes. It had appeared to me that these aggravating notes related to the jolts and bumps of the carriage, and I should have resigned myself to his taking them, under a general supposition that he was in the civil-engineering way of life, if he had not sat staring straight over my head whenever he listened. He was a goggle-eyed gentleman of a perplexed aspect, and his demeanour became unbearable.

It was a cold, dead morning (the sun not being up yet), and when I had out-watched the paling light of the fires of the iron country, and the curtain of heavy smoke that hung at once between me and the stars and between me and the day, I turned to my fellow-traveller and said:

“I beg your pardon, sir, but do you observe anything particular in me?” For, really, he appeared to be taking down, either my travelling-cap or my hair, with a minuteness that was a liberty.

The goggle-eyed gentleman withdrew his eyes from behind me, as if the back of the carriage were a hundred miles off, and said, with a lofty look of compassion for my insignificance:

“In you, sir?—B.”

“B, sir?” said I, growing warm.

“I have nothing to do with you, sir,” returned the gentleman; “pray let me listen—O.”

He enunciated this vowel after a pause, and noted it down.

At first I was alarmed, for an Express lunatic and no communication with the guard, is a serious position. The thought came to my relief that the gentleman might be what is popularly called a Rapper: one of a sect for (some of) whom I have the highest respect, but whom I don’t believe in. I was going to ask him the question, when he took the bread out of my mouth.

“You will excuse me,” said the gentleman, contemptuously, “if I am too much in advance of common humanity to trouble myself at all about it. I have passed the night—as indeed I pass the whole of my time now—in spiritual intercourse.”

“Oh!” said I, something snappishly.

“The conferences of the night began,” continued the gentleman, turning several leaves of his note-book, “with this message: ‘Evil communications corrupt good manners.’ ”

“Sound,” said I; “but, absolutely new?”

“New from spirits,” returned the gentleman.

I could only repeat my rather snappish “Oh!” and ask if I might be favoured with the last communication?

“ ‘A bird in the hand,’ ” said the gentleman, reading his last entry with great solemnity, “ ‘is worth two in the Bosh.’ ”

“Truly I am of the same opinion,” said I; “but shouldn’t it be Bush?”

“It came to me, Bosh,” returned the gentleman.

The gentleman then informed me that the spirit of Socrates had delivered this special revelation in the course of the night. “My friend, I hope you are pretty well. There are two in this railway carriage. How do you do? There are seventeen thousand four hundred and seventy-nine spirits here, but you cannot see them. Pythagoras is here. He is not at liberty to mention it, but hopes you like travelling.” Galileo likewise had dropped in, with this scientific intelligence. “I am glad to see you, amico. Come sta? Water will freeze when it is cold enough. Addio!” In the course of the night, also, the following phenomena had occurred. Bishop Butler had insisted on spelling his name, “Bubler,” for which offence against orthography and good manners he had been dismissed as out of temper. John Milton (suspected of wilful mystification) had repudiated the authorship of Paradise Lost, and had introduced, as joint authors of that poem, two Unknown gentlemen, respectively named Grungers and Scadgingtone. And Prince Arthur, nephew of King John of England, had described himself as tolerably comfortable in the seventh circle, where he was learning to paint on velvet, under the direction of Mrs. Trimmer and Mary Queen of Scots.

If this should meet the eye of the gentleman who favoured me with these disclosures, I trust he will excuse my confessing that the sight of the rising sun, and the contemplation of the magnificent Order of the vast Universe, made me impatient of them. In a word, I was so impatient of them, that I was mightily glad to get out at the next station, and to exchange these clouds and vapours for the free air of Heaven.

By that time it was a beautiful morning. As I walked away among such leaves as had already fallen from the golden, brown, and russet trees; and as I looked around me on the wonders of Creation, and thought of the steady, unchanging, and harmonious laws by which they are sustained; the gentleman’s spiritual intercourse seemed to me as poor a piece of journey-work as ever this world saw. In which heathen state of mind, I came within view of the house, and stopped to examine it attentively.

It was a solitary house, standing in a sadly neglected garden: a pretty even square of some two acres. It was a house of about the time of George the Second; as stiff, as cold, as formal, and in as bad taste, as could possibly be desired by the most loyal admirer of the whole quartett of Georges. It was uninhabited, but had, within a year or two, been cheaply repaired to render it habitable; I say cheaply, because the work had been done in a surface manner, and was already decaying as to the paint and plaster, though the colours were fresh. A lop-sided board drooped over the garden wall, announcing that it was “to let on very reasonable terms, well furnished.” It was much too closely and heavily shadowed by trees, and, in particular,...

Details zur Ausgabe

• Verlag: Random House Publishing Group
• Erscheinungsdatum: 2004
• Sprache: Englisch
• ISBN 10: 0812973062
• ISBN 13: 9780812973068
• Einband: Taschenbuch
• Anzahl der Seiten: 160
• Kontakt zum Hersteller: Nicht verfügbar
• Verantwortliche Person: Purmerul LTD; https://strengholt.nl/en/; ; 22 Liuleburgaz Str., floor 4, app. 9; Plovdiv; Bulgarien