Slade House: A Novel - Softcover

Mitchell, David

Softcover

ISBN 10: 0812988078 ISBN 13: 9780812988079

Verlag: Random House Publishing Group, 2016

Inhaltsangabe

The New York Times bestseller by the author of The Bone Clocks and Cloud Atlas | Named One of the Best Books of the Year by San Francisco Chronicle, NPR, Los Angeles Times, The Guardian, The Telegraph, National Post, BookPage, and Kirkus Reviews

Keep your eyes peeled for a small black iron door.

Down the road from a working-class British pub, along the brick wall of a narrow alley, if the conditions are exactly right, you&;ll find the entrance to Slade House. A stranger will greet you by name and invite you inside. At first, you won&;t want to leave. Later, you&;ll find that you can&;t. Every nine years, the house&;s residents&;an odd brother and sister&;extend a unique invitation to someone who&;s different or lonely: a precocious teenager, a recently divorced policeman, a shy college student. But what really goes on inside Slade House? For those who find out, it&;s already too late. . . .

Spanning five decades, from the last days of the 1970s to the present, leaping genres, and barreling toward an astonishing conclusion, this intricately woven novel will pull you into a reality-warping new vision of the haunted house story&;as only David Mitchell could imagine it.

Praise for Slade House

&;A fiendish delight . . . Mitchell is something of a magician.&;&;The Washington Post

&;Entertainingly eerie . . . We turn to [Mitchell] for brain-tickling puzzle palaces, for character studies and for language.&;&;Chicago Tribune

&;A ripping yarn . . . Like Shirley Jackson&;s Hill House or the Overlook Hotel from Stephen King&;s The Shining, [Slade House] is a thin sliver of hell designed to entrap the unwary. . . . As the Mitchellverse grows ever more expansive and connected, this short but powerful novel hints at still more marvels to come.&;&;San Francisco Chronicle

&;Like Stephen King in a fever . . . manically ingenious.&;&;The Guardian (U.K.)

&;A haunted house story that savors of Dickens, Stephen King, J. K. Rowling and H. P. Lovecraft, but possesses more psychic voltage than any of them.&;&;Pittsburgh Post-Gazette

&;Tightly crafted and suspenseful yet warmly human . . . the ultimate spooky nursery tale for adults.&;&;The Huffington Post

Über diesen Titel

Über die Autorin bzw. den Autor

David Mitchell is the award-winning and bestselling author of Slade House, The Bone Clocks, The Thousand Autumns of Jacob de Zoet, Black Swan Green, Cloud Atlas, Number9Dream, and Ghostwritten. Twice shortlisted for the Man Booker Prize, Mitchell was named one of the 100 most influential people in the world by Time in 2007. With KA Yoshida, Mitchell translated from the Japanese the internationally bestselling memoir The Reason I Jump. He lives in Ireland with his wife and two children.

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The Right Sort
1979

Whatever Mum’s saying’s drowned out by the grimy roar of the bus pulling away, revealing a pub called The Fox and Hounds. The sign shows three beagles cornering a fox. They’re about to pounce and rip it apart. A street sign underneath says westwood road. Lords and ladies are supposed to be rich, so I was expecting swimming pools and Lamborghinis, but Westwood Road looks pretty normal to me. Normal brick houses, detached or semi­detached, with little front gardens and normal cars. The damp sky’s the color of old hankies. Seven magpies fly by. Seven’s good. Mum’s face is inches away from mine, though I’m not sure if that’s an angry face or a worried one.

“Nathan? Are you even listening?” Mum’s wearing make­up today. That shade of lipstick’s called Morning Lilac but it smells more like Pritt Stick than lilacs. Mum’s face hasn’t gone away, so I say, “What?”

“It’s ‘Pardon’ or ‘Excuse me.’ Not ‘What?’ ”

“Okay,” I say, which often does the trick.

Not today. “Did you hear what I told you?”

“ ‘It’s “Pardon” or “Excuse me.” Not “What?” ’ ”

“Before that! I said, if anyone at Lady Grayer’s asks how we came here, you’re to tell them we arrived by taxi.”

“I thought lying was wrong.”

“There’s lying,” says Mum, fishing out the envelope she wrote the directions on from her handbag, “which is wrong, and there’s creating the right impression, which is necessary. If your father paid what he’s supposed to pay, we really would have arrived by taxi. Now . . .” Mum squints at her writing. “Slade Alley leads off Westwood Road, about halfway down . . .” She checks her watch.

“Right, it’s ten to three, and we’re due at three. Chop-chop. Don’t dawdle.” Off Mum walks.
I follow, not stepping on any of the cracks. Sometimes I have to guess where the cracks are because the pavement’s mushy with fallen leaves. At one point I had to step out of the way of a man with huge fists jogging by in a black and orange tracksuit. Wolverhampton Wanderers play in black and orange. Shining berries hang from a mountain ash. I’d like to count them, but the clip-­clop-­clip-­clop of Mum’s heels pulls me on. She bought the shoes at John Lewis’s sale with the last of the money the Royal College of Music paid her, even though British Telecom sent a final reminder to pay the telephone bill. She’s wearing her dark blue concert outfit and her hair up with the silver fox-­head hairpin. Her dad brought it back from Hong Kong after World War Two. When Mum’s teaching a student and I have to make myself scarce, I sometimes go to Mum’s dressing table and get the fox out. He’s got jade eyes and on some days he smiles, on others he doesn’t. I don’t feel well knitted today, but the Valium should kick in soon. Valium’s great. I took two pills. I’ll have to miss a few next week so Mum won’t notice her supply’s going down. My tweed jacket’s scratchy. Mum got it from Oxfam specially for today, and the bow ­tie’s from Oxfam, too. Mum volunteers there on Mondays so she can get the best of the stuff people bring in on Saturdays. If Gaz Ingram or anyone in his gang sees me in this bow tie, I’ll find a poo in my locker, guaranteed. Mum says I have to learn how to Blend In more, but there aren’t any classes for Blending In, not even on the town library notice board. There’s a Dungeons & Dragons club advertised there, and I always want to go, but Mum says I can’t because Dungeons & Dragons is playing with dark forces. Through one front window I see horse racing. That’s Grandstand on BBC1. The next three windows have net curtains, but then I see a TV with wrestling on it. That’s Giant Haystacks the hairy baddie fighting Big Daddy the bald goodie on ITV. Eight houses later I see Godzilla on BBC2. He knocks down a pylon just by blundering into it and a Japanese fireman with a sweaty face is shouting into a radio. Now Godzilla’s picked up a train, which makes no sense because amphibians don’t have thumbs. Maybe Godzilla’s thumb’s like a panda’s so-­called thumb, which is really an evolved claw. Maybe—­

“Nathan!” Mum’s got my wrist. “What did I say about dawdling?”

I check back. “ ‘Chop-­chop!’; ‘Don’t dawdle.’ ”

“So what are you doing now?”

“Thinking about Godzilla’s thumbs.”

Mum shuts her eyes. “Lady Grayer has invited me—­us—­to a musical gathering. A soirée. There’ll be people who care about music there. People from the Arts Council, people who award jobs, grants.” Mum’s eyes have tiny red veins like rivers photographed from very high up. “I’d rather you were at home playing with your Battle of the Boers landscape too, but Lady Grayer insisted you come along, so . . . you have to act normal. Can you do that? Please? Think of the most normal boy in your class, and do what he’d do.”

Acting Normal’s like Blending In. “I’ll try. But it’s not the Battle of the Boers, it’s the Boer War. Your ring’s digging into my wrist.”

Mum lets go of my wrist. That’s better.

I don’t know what her face is saying.

·  

Slade Alley’s the narrowest alley I’ve ever seen. It slices between two houses, then vanishes left after thirty paces or so. I can imagine a tramp living there in a cardboard box, but not a lord and lady.

“No doubt there’ll be a proper entrance on the far side,” says Mum. “Slade House is only the Grayers’ town residence. Their proper home’s in Cambridgeshire.”

If I had 50p for every time Mum’s told me that, I’d now have £3.50. It’s cold and clammy in the alley like White Scar Cave in the Yorkshire Dales. Dad took me when I was ten. I find a dead cat lying on the ground at the first corner. It’s gray like dust on the moon. I know it’s dead because it’s as still as a dropped bag, and because big flies are drinking from its eyes. How did it die? There’s no bullet wound or fang marks, though its head’s at a slumped angle so maybe it was strangled by a cat-­strangler. It goes straight into the Top Five of the Most Beautiful Things I’ve Ever Seen. Maybe there’s a tribe in Papua New Guinea who think the droning of flies is music. Maybe I’d fit in with them. “Come along, Nathan.” Mum’s tugging my sleeve.
I ask, “Shouldn’t it have a funeral? Like Gran did?”

“No. Cats aren’t human beings. Come along.”

“Shouldn’t we tell its owner it won’t be coming home?”

“How? Pick it up and go along Westwood Road knocking on all the doors saying, ‘Excuse me, is this your cat?’ ”

Mum sometimes has good ideas. “It’d take a bit of time, but—­”

“Forget it, Nathan—­we’re due at Lady Grayer’s right now.”

“But if we don’t bury it,...

Details zur Ausgabe

• Verlag: Random House Publishing Group
• Erscheinungsdatum: 2016
• Sprache: Englisch
• ISBN 10: 0812988078
• ISBN 13: 9780812988079
• Einband: Taschenbuch
• Anzahl der Seiten: 272
• Kontakt zum Hersteller: Nicht verfügbar
• Verantwortliche Person: Buchbär; info@buchbaer.de; ; Weberstr. 67; Osnabrück; 49084; Deutschland