Created at the crossroads of slavery, migration, and exile, and comprising a global population, the black diaspora is a diverse space of varied histories, experiences, and goals. Likewise, black diasporic film tends to focus on the complexities of transnational identity, which oscillates between similarity and difference and resists easy categorization. In Contact Zones author Sheila J. Petty addresses a range of filmmakers, theorists, and issues in black diasporic cinema, highlighting their ongoing influences on contemporary artistic and theoretical discourses.
Petty examines both Anglophone and Francophone films and theorists, divided according to this volume’s three thematic sections—Slavery, Migration and Exile, and Beyond Borders. The feature films and documentaries considered—which include Sankofa, Daughters of the Dust, The Man by the Shore, and Rude, among others—represent a wide range of cultures and topics. Through close textual analysis that incorporates the work of well-known diasporic thinkers like W. E. B. DuBois, Aimé Césaire, and Frantz Fanon along with contemporary notables such as Molefi Kete Asante, bell hooks, Clenora Hudson-Weems, René Depestre, Paul Gilroy, and Rinaldo Walcott, Petty details the unique ways in which black diasporic films create meaning.
By exploring a variety of African American, Caribbean, Black British, and African Canadian perspectives, Contact Zones provides a detailed survey of the diversity and vitality of black diasporic contributions to cinema and theory. This volume will be a welcome addition to the libraries of scholars and students of film studies and Africana studies.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Sheila J. Petty is professor of film and video studies at the University of Regina, Saskatchewan, Canada.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: Goodwill Southern California, Los Angeles, CA, USA
Zustand: good. Bestandsnummer des Verkäufers 4CJWRU000QDG
Anbieter: BGV Books LLC, Murray, KY, USA
Zustand: Good. Exact ISBN match. Immediate shipping. No funny business. Bestandsnummer des Verkäufers 9780814330999
Anbieter: Midtown Scholar Bookstore, Harrisburg, PA, USA
paperback. Zustand: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized. Bestandsnummer des Verkäufers mon0000253569
Anbieter: Dave's Books, Brooklyn, NY, USA
Soft cover. Zustand: Good. 2008 1st paperback edition and printing with full number line. Spine creased (with separation in same spot on the inside, between pages 176-7), notes and underlining in some chapters, dampstain rippling and corner folds on first 70 or so pages, curling, binding tight. Bestandsnummer des Verkäufers ABE-1748988522604
Anbieter: Renaissance Books, Victoria, BC, Kanada
Soft cover. Zustand: Fine. First Printing of the First Edition. Fine, unread copy. As new. Bestandsnummer des Verkäufers 8190
Anzahl: 1 verfügbar
Anbieter: Quickhatch Books, Ottawa, ON, Kanada
Trade Paperback. Zustand: Very Good. 295pp., index, biblio., notes, ill. Very light wear. Size: 8vo - over 7¾" - 9¾" tall. Book. Bestandsnummer des Verkäufers 006397
Anzahl: 1 verfügbar
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: New. Bestandsnummer des Verkäufers 5477953-n
Anbieter: Rarewaves.com USA, London, LONDO, Vereinigtes Königreich
Paperback. Zustand: New. This title explores the contributions of black diasporic filmmakers and thinkers to contemporary artistic and theoretical discourses.Created at the crossroads of slavery, migration, and exile, and comprising a global population, the black diaspora is a diverse space of varied histories, experiences, and goals. Likewise, black diasporic film tends to focus on the complexities of transnational identity, which oscillates between similarity and difference and resists easy categorization. In ""Contact Zones"", author Sheila J. Petty addresses a range of filmmakers, theorists, and issues in black diasporic cinema, highlighting their ongoing influences on contemporary artistic and theoretical discourses.Petty examines both Anglophone and Francophone films and theorists, divided according to this volume's three thematic sections - Slavery, Migration and Exile, and Beyond Borders. The feature films and documentaries considered - which include ""Sankofa"", ""Daughters of the Dust"", ""The Man by the Shore"", and ""Rude"", among others - represent a wide range of cultures and topics. Through close textual analysis that incorporates the work of well-known diasporic thinkers like W. E. B. DuBois, Aime Cesaire, and Frantz Fanon along with contemporary notables such as Molefi Kete Asante, bell hooks, Clenora Hudson-Weems, Rene Depestre, Paul Gilroy, and Rinaldo Walcott, Petty details the unique ways in which black diasporic films create meaning.By exploring a variety of African American, Caribbean, Black British, and African Canadian perspectives, ""Contact Zones"" provides a detailed survey of the diversity and vitality of black diasporic contributions to cinema and theory. This volume will be a welcome addition to the libraries of scholars and students of film studies and Africana studies. Bestandsnummer des Verkäufers LU-9780814330999
Anzahl: 2 verfügbar
Anbieter: Lucky's Textbooks, Dallas, TX, USA
Zustand: New. Bestandsnummer des Verkäufers ABLIING23Feb2416190228106
Anzahl: Mehr als 20 verfügbar
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: As New. Unread book in perfect condition. Bestandsnummer des Verkäufers 5477953