Studies Honoré as an auteur who intervenes in French filmmaking practices and culture with a queer "caméra-stylo."
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David A. Gerstner is professor of cinema studies at the City University of New York, College of Staten Island, where he is chair of the Department of Media Culture. He is also a faculty member at the CUNY Graduate Center. His books include Queer Pollen: White Seduction, Back Male Homosexuality, and the Cinematic and Authorship and Film (coedited with Janet Staiger).
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Zustand: New. Studies Honore as an auteur who intervenes in French filmmaking practices and culture with a queer "camera-stylo." Series: Contemporary Approaches to Film and Media Series. Num Pages: 320 pages, 118 illustrations. BIC Classification: APFB. Category: (G) General (US: Trade). Dimension: 229 x 152 x 20. Weight in Grams: 525. . 2015. paperback. Not a first edition copy. . . . Books ship from the US and Ireland. Bestandsnummer des Verkäufers 9780814338636
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Zustand: New. Studies Honore as an auteur who intervenes in French filmmaking practices and culture with a queer "camera-stylo." Series: Contemporary Approaches to Film and Media Series. Num Pages: 320 pages, 118 illustrations. BIC Classification: APFB. Category: (G) General (US: Trade). Dimension: 229 x 152 x 20. Weight in Grams: 525. . 2015. paperback. Not a first edition copy. . . . Bestandsnummer des Verkäufers 9780814338636
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Paperback. Zustand: New. French filmmaker Christophe Honoré challenges audiences with complex cinematic form, intricate narrative structures, and aesthetically dynamic filmmaking. But the limited release of his films outside of Europe has left him largely unknown to U.S. audiences. In Christophe Honoré: A Critical Introduction, authors David A. Gerstner and Julien Nahmias invite English-speaking scholars and cinéastes to explore Honoré's three most recognized films, Dans Paris (2006), Les Chansons d'amour (2007), and La Belle personne (2008)-"the trilogy." Gerstner and Nahmias analyze Honoré's filmmaking as the work of a queer auteur whose cinematic engagement with questions of family, death, and sexual desire represent new ground for queer theory. Considering each of the trilogy films in turn, the authors take a close look at Honoré's cinematic technique and how it engages with France's contemporary cultural landscape. With careful attention to the complexity of Honoré's work, they consider critically contested issues such as the filmmaker's cinematic strategies for addressing AIDS, the depth of his LGBTQ politics, his representations of death and sexual desire, and the connections between his films and the New Wave. Anchored by a comprehensive interview with the director, the authors incorporate classical and contemporary film theories to offer a range of cinematic interventions for thinking queerly about the noted film author. Christophe Honoré: A Critical Introduction reconceptualizes the relationship between film theory and queer theory by moving beyond predominant literary and linguistic models, focusing instead on cinematic technique. Students and teachers of queer film will appreciate this thought-provoking volume. Bestandsnummer des Verkäufers LU-9780814338636
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