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Buchbeschreibung Trade Paperback. Zustand: New. As a master of realism, Jerome Witkin illustrates in his art the moral plight of everyday lives. His most complex and critically acclaimed works - intense, often disturbing scenes of the Holocaust - have earned him a growing international audience. Through the 'virtues of descriptive vividness and accuracy, ' as Kenneth Baker writes in his Foreword, Sherry Chayat elucidates Witkin's success in almost single-handedly returning to the realm of painting those subjects that are powerfully universal as well as intensely personal. Witkin believes that this is his domain as a painter, as it was for artists like Goya and Eakins. Mortal Sin: In the Confession of J. Robert Oppenheimer; Death as an Usher: Berlin, 1933; Subway: A Marriage; The Screams of Kitty Genovese - Witkin's huge and often multipaneled canvases deal with human dilemmas and current societal issues, such as the homeless, AIDS, and drugs. His art demonstrates that we bear a moral responsibility for the pain suffered by others. 'I'm not just a painter, ' Witkin states. 'I'm a person looking at my century. We must get back to someplace where we can feel again, where we have value, a sense of the future.'. Bestandsnummer des Verkäufers 61380
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Buchbeschreibung Zustand: New. New. In shrink wrap. Looks like an interesting title! 1.3. Bestandsnummer des Verkäufers Q-0815608179
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Buchbeschreibung Paperback. Zustand: New. Bestandsnummer des Verkäufers Abebooks202342
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