Offering the first comprehensive training in the visual arts grounded in abstraction, the Bauhaus was the site of a dazzling range of influential experiments in painting, architecture, photography, industrial design, and even artistic education itself. Three-quarters of a century later, the "look"of the new remains indebted to the Bauhaus and its equation of technology with modernism. Central to discussions of the relationships between art, industrialization, and politics in the twentieth century, much of the school's later impact was derived in part from its status as one of the foremost cultural symbols of Germany's first democracy and its public reputation as a "cathedral of socialism."In this book, editor Kathleen James-Chakraborty and seven other scholars analyze the accomplishments and dispel the myths of the Bauhaus, placing it firmly in a historical context from before the formation of the Weimar Republic through Nazi ascendancy and World War II into the cold war. Together, they investigate its professors' and students' interactions with mass culture; establish the complexity of its relationship with Wilhelmine, Nazi, and postwar German politics; and challenge the claim that its architects greatly influenced American architecture in the 1930s. Their most explosive conclusions address the degree to which some aspects of Bauhaus design continued to flourish during the Third Reich before becoming one of the cold war's most enduring emblems of artistic freedom. In doing so, Bauhaus Culture calls into question the degree to which this influential school should continue to symbolize an uncomplicated relationship between art, modern technology, and progressive politics. Contributors: Greg Castillo, Juliet Koss, Rose-Carol Washton Long, John V. Maciuika, Wallis Miller, Winifried Nerdinger, Frederic J. Schwartz. Kathleen James-Chakraborty is associate professor of architecture at the University of California, Berkeley, and author of German Architecture for a Mass Audience and Erich Mendelsohn and the Architecture of German Modernism.
Kathleen James-Chakraborty is associate professor of architecture at the University of California, Berkeley, and author of German Architecture for a Mass Audience and Erich Mendelsohn and the Architecture of German Modernism.
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Paperback. Zustand: Very Good. "In this book, editor Kathleen James Chakraborty and seven other scholars analyze the accomplishments and dispel the myths of the Bauhaus." Contains black and white illustrations. Photographic front cover. Some staining to front cover. 8vo, 246pgs. Bestandsnummer des Verkäufers 1150
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Paperback. Zustand: new. Paperback. Offering the first comprehensive training in the visual arts grounded in abstraction, the Bauhaus was the site of a dazzling range of influential experiments in painting, architecture, photography, industrial design, and even artistic education itself. Three-quarters of a century later, the "look" of the new remains indebted to the Bauhaus and its equation of technologywith modernism. Central to discussions of the relationships between art, industrialization, and politics in the twentieth century, much of the school's later impact was derived in part from its status as one of the foremost cultural symbols of Germany's first democracy and its public reputation as a "cathedral of socialism." Analyzes the accomplishments and dispels the myths of the Bauhaus. This book investigates its professors' and students' interactions with mass culture; establishes the complexity of its relationship with Wilhelmine, Nazi, and postwar German politics. It provides insights on the Bauhaus from a historical perspective. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9780816646883
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Zustand: New. Num Pages: 256 pages, 57 halftones, 2 line art illustrations. BIC Classification: 1DFG; ACX. Category: (G) General (US: Trade). Dimension: 176 x 253 x 15. Weight in Grams: 574. . 2006. 1st Edition. Paperback. . . . . Bestandsnummer des Verkäufers V9780816646883
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25 x 18cm, 246pp, b&w illust, softcover, very good+ Collection of essays on the Bauhaus & its place in the narratives of 20th century Modernism. Chapters: Wilhemine Precedents For The Bauhaus, Henry Van de Velde & Walter Gropius, From Metaphysics to Material Culture, Architecture, Building & the Bauhaus, Bauhaus Theater Of Human Dolls, Utopia For Sale, Bauhaus Architecture & the Third Reich, From Isolationism to Internationalism, The Bauhaus In Cold War Germany. Bestandsnummer des Verkäufers 196390
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