Pens and swords, words and blows: for Roger Bartra, the culture of ink and the culture of blood offer two contrasting approaches to the political transformations of our time. In this compilation of essays, Bartra thinks through these transformations by tracing the complex interplay between popular culture, nationalist ideology, civil society, and the state in contemporary Mexico. Written with verve over a period of twenty years, these essays-most translated into English here for the first time-suggest why Bartra has become one of Latin America's leading public intellectuals. The essays cover a broad range of topics, from the canonical forms of Mexican culture to the meaning of postnational identity in a globalizing age, from the repercussions of the 1994 Zapatista uprising to the 2000 election of Vicente Fox and the end of the PRI's seven-decade rule. Across this range of topics, Bartra imparts astute insights into a critical period of transition in Mexican history, stressing throughout the importance of democracy, the complexity of identity, and the vibrancy of the Left. In Blood, Ink, and Culture, he provides a stimulating inside look at political and intellectual life in the southern reaches of North America.
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Roger Bartra is Senior Research Fellow at the Instituto de Investigaciones Sociales, Universidad Nacional Autónoma de México. An anthropologist, sociologist, and respected public intellectual, he has served as editor of the Mexican literary weekly La Jornada Semanal and is a regular contributor to literary and political journals in Mexico, Spain, Japan, England, and the United States. He is also the author of numerous books in Spanish; those available in English include Wild Men in the Looking Glass: The Mythic Origins of European Otherness and The Cage of Melancholy: Identity and Metamorphosis in the Mexican Character.
Mark Alan Healey is Assistant Professor of History and International Studies at the University of Mississippi."Roger Bartra is one of Latin America's premier cultural critics. With this intriguing, provocative, and insightful volume, an English-language audience will have the pleasure of reading some of his best and most challenging commentary."--Irene Silverblatt, author of "Moon, Sun, and Witches: Gender Ideologies and Class in Inca and Colonial Peru"
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