This special issue of South Atlantic Quarterly focuses on music-be it a film score, incidental music for a play, or music for pantomime or dance-as a nonautonomous phenomenon. The result is a broad-based discussion where the cultural, the social, and the political are not considered peripheral contexts that shape music but rather are framed as integral components of the works at hand.Contributors. Annegret Fauser, Bryan Gilliam, Linda Hutcheon, Michael Hutcheon, Kim H. Kowalke, Neil Lerner, Tamara Levitz, Elizabeth Paley
Bryan Gilliam is a Bass Professor in Humanities at Duke University, North Carolina. He is the author of Richard Strauss's Elektra (1996) and The Life of Richard Strauss (Cambridge University Press, 1999) and editor of a number of books, including Music and Performance during the Weimar Republic (Cambridge University Press, 1994) and Music, Image, Gesture (2005). His numerous book chapters and articles include the biographical entry on Richard Strauss in The Revised New Grove Dictionary of Music. He serves on the Strauss editorial board in Munich and has given lectures in the US, Austria, Germany, and the UK.
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Anbieter: Cat's Cradle Books, Archdale, NC, USA
Softcover. Sound binding. Clean, bright pages. Wrappers have light shelf wear. Kowalke, Seven degrees of separation: music, text, image, and gesture in The Seven Deadly Sins. Hutcheon, The "phenomenal image" in opera. Paley, Zwischenreden für Zwischenakte: Egmont and the melodramatic supplement. Fauser, Visual pleasures - musical signs: dance at the Paris Opera. Levitz, Syvilla Fort's Africanist modernism and John Cage's gestic music: The story of Bacchanale. Lerner, "Look at that big hand move along": clocks, containment, and music in High Noon. 9.0" tall; 176 pages. Very Good with No dust jacket as issued. Bestandsnummer des Verkäufers 4130080
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