Art Without an Author: Vasari's Lives and Michelangelo's Death (Modern Language Initiative) - Softcover
Inhaltsangabe
Why is the history of art so often construed as a history of artists, when its alleged focus is art? This book responds to this question by examining Giorgio Vasari’s Lives and the artist it features most centrally, Michelangelo.
Printed in Florence in 1550 and republished in a substantially enlarged form in 1568, the Lives is a compendium of biographies of the most noteworthy artists, from the late Middle Ages to Vasari’s time. Perhaps no other text has exerted such a formidable influence on the discipline of art history, shaping its historical and conceptual categories—principally as an effect of its biographical format and the biological model it follows, charting artistic development from birth through decline.
More than any other artist in the Lives, Michelangelo exemplifies art as an expression of the individual. Yet at the same time, as this book aims to show, the Lives fashions Michelangelo as the founder of a new academic era in which art develops collectively as a discipline. Paradoxically, Vasari’s celebration of Michelangelo mobilizes a conception of art as teachable and transmissible that is antithetical to Michelangelo’s aesthetic ideals and unique style.
Each of the five chapters of this book examines the notion of “art without an author,” whereby art is teachable and not the inimitable product of a genius, or a corporate rather than an individualistic venture. By tracing Vasari’s transformation of Michelangelo from an artist into a figure who legitimates a new age in art, the book bridges a longstanding dichotomy in our understanding not only of Vasari but also of Renaissance culture and art.
The claims Art Without an Author makes are integrally supported by art historical research and textual/philological analysis. By way of close study, this book reaches entirely new conclusions about Michelangelo, the production and significance of Vasari’s Lives, and the role “authorial” values play in Italian Renaissance culture.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Über die Autorinnen und Autoren
Marco Ruffini is Assistant Professor of Italian Studies and Art History at Northwestern University.
Marco Ruffini is Assistant Professor of Italian Studies and Art History at Northwestern University.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Weitere beliebte Ausgaben desselben Titels
Suchergebnisse für Art Without an Author: Vasari's Lives and Michelangelo&#...
Beispielbild für diese ISBN
Art Without an Author: Vasari's Lives and Michelangelo's Death
Verlag:
Fordham University Press, 2011
ISBN 10: 0823234568
ISBN 13: 9780823234561
Gebraucht
Paperback / softback
Anbieter: THE SAINT BOOKSTORE, Southport, Vereinigtes Königreich
Verkäuferbewertung 5 von 5 Sternen
Paperback / softback. Zustand: Good. Used copy in good condition - Usually dispatched within 3 working days. Bestandsnummer des Verkäufers D9780823234561
Gebraucht kaufen
EUR 11,94
EUR 24,04 Versand
Versand von Vereinigtes Königreich nach USA
Versand von Vereinigtes Königreich nach USA
Anzahl: 1 verfügbar
Foto des Verkäufers
Art Without an Author
Anbieter: Rarewaves USA, OSWEGO, IL, USA
Verkäuferbewertung 5 von 5 Sternen
Paperback. Zustand: New. Why is the history of art so often construed as a history of artists, when its alleged focus is art? This book responds to this question by examining Giorgio Vasari's Lives and the artist it features most centrally, Michelangelo. Printed in Florence in 1550 and republished in a substantially enlarged form in 1568, the Lives is a compendium of biographies of the most noteworthy artists, from the late Middle Ages to Vasari's time. Perhaps no other text has exerted such a formidable influence on the discipline of art history, shaping its historical and conceptual categories-principally as an effect of its biographical format and the biological model it follows, charting artistic development from birth through decline. More than any other artist in the Lives, Michelangelo exemplifies art as an expression of the individual. Yet at the same time, as this book aims to show, the Lives fashions Michelangelo as the founder of a new academic era in which art develops collectively as a discipline. Paradoxically, Vasari's celebration of Michelangelo mobilizes a conception of art as teachable and transmissible that is antithetical to Michelangelo's aesthetic ideals and unique style. Each of the five chapters of this book examines the notion of "art without an author," whereby art is teachable and not the inimitable product of a genius, or a corporate rather than an individualistic venture. By tracing Vasari's transformation of Michelangelo from an artist into a figure who legitimates a new age in art, the book bridges a longstanding dichotomy in our understanding not only of Vasari but also of Renaissance culture and art. The claims Art Without an Author makes are integrally supported by art historical research and textual/philological analysis. By way of close study, this book reaches entirely new conclusions about Michelangelo, the production and significance of Vasari's Lives, and the role "authorial" values play in Italian Renaissance culture. Bestandsnummer des Verkäufers LU-9780823234561
Foto des Verkäufers
Art Without an Author
Anbieter: Rarewaves USA United, OSWEGO, IL, USA
Verkäuferbewertung 5 von 5 Sternen
Paperback. Zustand: New. Why is the history of art so often construed as a history of artists, when its alleged focus is art? This book responds to this question by examining Giorgio Vasari's Lives and the artist it features most centrally, Michelangelo. Printed in Florence in 1550 and republished in a substantially enlarged form in 1568, the Lives is a compendium of biographies of the most noteworthy artists, from the late Middle Ages to Vasari's time. Perhaps no other text has exerted such a formidable influence on the discipline of art history, shaping its historical and conceptual categories-principally as an effect of its biographical format and the biological model it follows, charting artistic development from birth through decline. More than any other artist in the Lives, Michelangelo exemplifies art as an expression of the individual. Yet at the same time, as this book aims to show, the Lives fashions Michelangelo as the founder of a new academic era in which art develops collectively as a discipline. Paradoxically, Vasari's celebration of Michelangelo mobilizes a conception of art as teachable and transmissible that is antithetical to Michelangelo's aesthetic ideals and unique style. Each of the five chapters of this book examines the notion of "art without an author," whereby art is teachable and not the inimitable product of a genius, or a corporate rather than an individualistic venture. By tracing Vasari's transformation of Michelangelo from an artist into a figure who legitimates a new age in art, the book bridges a longstanding dichotomy in our understanding not only of Vasari but also of Renaissance culture and art. The claims Art Without an Author makes are integrally supported by art historical research and textual/philological analysis. By way of close study, this book reaches entirely new conclusions about Michelangelo, the production and significance of Vasari's Lives, and the role "authorial" values play in Italian Renaissance culture. Bestandsnummer des Verkäufers LU-9780823234561
Neu kaufen
EUR 119,68
EUR 43,09 Versand
Versand innerhalb von USA
Versand innerhalb von USA
Anzahl: 4 verfügbar
Beispielbild für diese ISBN
Art Without an Author : Vasari's Lives and Michelangelo's Death
Anbieter: BWS BKS, Ferndale, NY, USA
Verkäuferbewertung 4 von 5 Sternen
Paperback. Zustand: New. Bestandsnummer des Verkäufers 95566
Neu kaufen
EUR 1.754,04
EUR 2,59 Versand
Versand innerhalb von USA
Versand innerhalb von USA
Anzahl: 2 verfügbar