Thames Town-an English-like village built in Shanghai-is many places at once: a successful tourist destination, an affluent residential cluster, a city of migrant workers, and a ghost town. The Real Fake explores how the users of Thames Town transform a themed space into something more than a "fake place." Piazzoni understands authenticity as a dynamic relationship between people, places, and meanings that enables urban transformations. She argues that authenticity underlies the social and physical production of space through both top-down and bottom-up dynamics. The systems of moral and aesthetic judgments that people associate with "the authentic" materialize in the village. Authenticity excludes some users as it inhibits access and usage especially to the migrant poor. And yet, ideas of the authentic also encourage everyday, spontaneous appropriations of space that explicitly break the village rules. Most scholars criticize theming, arguing that it produces a fake, exclusionary, and controlling city. Piazzoni complicates this view by focusing on how people negotiate a sense of authenticity in an explicitly "fake" environment. Heritage studies tell us that we authenticate places through affective and embodied experiences, as evidenced by the data collected in Thames Town. Although the exclusionary character of theming remains unquestionable, it is precisely the experience of "fakeness" that allows Thames Tow's users to develop a sense of place.
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Maria Francesca Piazzoni is an Architect and a Ph.D. Candidate at USC, Price School of Public Policy. She holds a Ph.D. in Architecture and Urbanism from IUAV, University of Venice.
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Paperback. Zustand: New. Thames Town-an English-like village built in Shanghai-is many places at once: a successful tourist destination, an affluent residential cluster, a city of migrant workers, and a ghost town. The Real Fake explores how the users of Thames Town transform a themed space into something more than a "fake place." Piazzoni understands authenticity as a dynamic relationship between people, places, and meanings that enables urban transformations. She argues that authenticity underlies the social and physical production of space through both top-down and bottom-up dynamics. The systems of moral and aesthetic judgments that people associate with "the authentic" materialize in Thames Town. Authenticity excludes some users as it inhibits access and usage especially to the migrant poor. And yet, ideas of the authentic also encourage everyday spontaneous appropriations of space that break the village's staged atmosphere. Most scholars criticize theming by arguing that it produces a "fake," controlling city. Piazzoni complicates this view by demonstrating that although the exclusionary character of theming remains unquestionable, it is precisely the experience of "fakeness" that allows Thames Town's users to develop a sense of place. Authenticity, the ways people construct and spatialize its meanings, intervenes holistically in the making and remaking of space. Bestandsnummer des Verkäufers LU-9780823280926
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