Hardcover. Zustand: fine. Golden yellow-cloth octavo; xviii, 186 p, b&w illus; 24 cm. Contents; "Single vision with doubled images: An Historic Problem" by Richard Held, "What does "more transparent" mean?" by Fabio Metelli, "Convexity and symmetry in figure-ground organization" by Gaetano Kanizsa and Walter Gerbino, "Attention, brightness, and the constructive eye" by John M. Kennedy, & others. Art; Psychology; Essays. Very faint bump to spine head & foot, top corners gently rubbed, top corner missing of first front free endpaper, else fine. First edition, first printing (full number line). Bestandsnummer des Verk�ufers 79959

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Vision and Artifact

Henle, Mary,; Arnheim, Rudolf

Verlag: Springer Pub. Co, New York, 1976

ISBN 10: 0826119603 ISBN 13: 9780826119605

Gebraucht Hardcover

Anbieter: Mullen Books, ABAA, Marietta, PA, USA

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Hardcover. Illustrated ornage cloth covers. xviii, 186 pages : illustrations. Contents: Visual perception: Held, R. Single vision with doubled images. Metelli, F. What does "more transparent" mean? Kanizsa, G. and Gerbino, W. Convexity and symmetry in figure-ground organization. Kennedy, J.M. Attention, brightness, and the constructive eye. Jameson, D. and Hurvich, L.M. From contrast to assimilation. Wallach, H. The apparent rotation of pictorial scenes. Gibson, J.J., et al. The change from visible to invisible. -- Visual thinking: Schaefer-Simmern, H. Basic structures in the earliest beginnings of artistic activity. Nash, E. Hidden visual patterns in Roman architecture and ruins. Gardner, H. Illuminating comparisons in the arts. -- Artifact : Sekler, E.F. Le Corbusier's use of a "pictorial word" in his tapestry La femme et le moineau. Teuber, M.L. Blue night by Paul Klee. Zucker, W.M. The representation of the invisible. Hess, W. Formal analysis of a painting by Jan Vermeer. Ashton, D. Art and social change. Mary Henle, editor ; foreword by Rudolf Arnheim. VG, covers have normal wear. Previous owner's marks on flyleaf. Bestandsnummer des Verk�ufers 182677

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