All of the essays in this collection reflect a sense that Beckett's power as a playwright derives largely from a mythic vision that informs his drama. Their approaches to the definition and use of myth and ritual in his plays vary considerably, however, ranging from the Jungian to the Marxian to the Lacanian, and drawing on the theories of Campbell, Freud, Eliade, Frye, Turner, Girard, Baudrillard, and others.
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Hard Cover. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good+. First Edition. Front inner flap of dustjacket creased. A compilation of 11 papers on myth and ritual in Beckett's plays: Katherine H. Burkman, "Myth and Ritual in the Plays of Samuel Beckett: An Introduction," Lois More Overbeck, "'Getting On': Ritual as Façon in Beckett's Plays," Susan D. Brienza, "Perilous Journey's on Beckett's Stages: Traveling through Words," Martha Fehsenfeld, "From the Perspective of an Actress/Critic: Ritual Patterns in Beckett's 'Happy Days'," Rosette C. Lamont, To Speak the Words of 'The Tribe': The Wordlessness of Samuel Beckett's Metaphysical Clowns," Mary A. Doll, "Rites of Story: The Old Man at Play," Susan Maughlin, "Liminality: An Approach to Artistic Process in 'Endgame'," Stephen Watt, "Beckett by Way of Baudrillard: Toward a Political Reading of Samuel Beckett's Drama," Claudia Clausius, "Bad Habits While Waiting for Godot: The Demythification of Ritual," Phyllis Carey, "The Ritual of Human Techné in 'Happy Days'," Judith A. Roof, "A Blink in the Mirror: From Oedipus to Narcissus and Back in the Drama of Samuel Beckett." Includes bibliographical information in notes and an index. 169 pages. Size: 8vo - over 7¾" - 9¾" tall. Bestandsnummer des Verkäufers 007416
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