Ed Ruscha's Spied Upon Scene series of paintings, begun in 2017, depict majestic mountainscapes resembling the idyllic ranges of travel books, postcards, adventure movies, and the Paramount Pictures logo. These vistas, visible through oval-shaped lenses or window grids, seem to refer to the nineteenth-century tradition of the American Sublime. In fact, their lineage includes an obscure American painter from the turn of the century, Louis Michel Eilshemius (1864-1941), whose use of painted frames became an influence on Ruscha's approach.
Commemorating an exhibition at Gagosian, London, this catalog is the first publication to examine the connections between these two artists' work. Two booklets in a softcover portfolio feature full-color plates and installation views. An interview with Ruscha and an essay by Margaret Iversen explain how Ruscha first encountered Eilshemius's enigmatic paintings, which of the artist's aesthetic innovations captured Ruscha's imagination, and how his own work relates to and differs from that of the "Neglected Marvel" Eilshemius.
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Margaret Iversen is professor emerita of art history at the University of Essex and one of the leading international authorities in the field of art theory and contemporary art. Leta Grzan is a director at Gagosian, Beverly Hills. Viet-Nu Nguyen is curator of the Ovitz Family Collection in Los Angeles.
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Anbieter: Paradou Books, Richmond, VA, USA
Soft cover. Zustand: New. 1st Edition. Two softcovers in folder, 56 pgs. 11 1/2 × 10 inches (29.2 × 25.4 cm). New. This book was published on the occasion of Ed Ruscha: Eilshemius & Me, an exhibition of works by Ed Ruscha and Louis Michel Eilshemius (1864-1941) at Gagosian, Davies Street, London. Ruscha s Spied Upon Scene series of paintings, begun in 2017, depicts majestic mountainscapes resembling the idyllic ranges of travel books, adventure movies, or the Paramount Pictures logo. These vistas, visible through oval-shaped lenses or window grids, seem to refer to the nineteenth-century tradition of picturing the American Sublime. In fact, their lineage includes an obscure American painter from the turn of the century, Louis Michel Eilshemius, whose use of painted frames influenced Ruscha s approach. This book is the first to examine the connection between these two artists. It features an interview with Ruscha by Leta Grzan and Viet-Nu Nguyen, and an essay by Margaret Iversen, which together explain how Eilshemius s enigmatic paintings captured Ruscha s imagination. Bestandsnummer des Verkäufers ABE-1714434305248
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Paperback. Zustand: New. Ed Ruscha's Spied Upon Scene series of paintings, begun in 2017, depict majestic mountainscapes resembling the idyllic ranges of travel books, postcards, adventure movies, and the Paramount Pictures logo. These vistas, visible through oval-shaped lenses or window grids, seem to refer to the nineteenth-century tradition of the American Sublime. In fact, their lineage includes an obscure American painter from the turn of the century, Louis Michel Eilshemius (1864-1941), whose use of painted frames became an influence on Ruscha's approach.Commemorating an exhibition at Gagosian, London, this catalog is the first publication to examine the connections between these two artists' work. Two booklets in a softcover portfolio feature full-color plates and installation views. An interview with Ruscha and an essay by Margaret Iversen explain how Ruscha first encountered Eilshemius's enigmatic paintings, which of the artist's aesthetic innovations captured Ruscha's imagination, and how his own work relates to and differs from that of the "Neglected Marvel" Eilshemius. Bestandsnummer des Verkäufers LU-9780847869060
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Zustand: New. 2020. Paperback. . . . . . Bestandsnummer des Verkäufers V9780847869060
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Anbieter: Grand Eagle Retail, Bensenville, IL, USA
Paperback. Zustand: new. Paperback. Commemorating an exhibition at Gagosian, London, this catalog is the first publication to examine the connections between these two artists work. Two booklets in a softcover portfolio feature full-color plates and installation views. An interview with Ruscha and an essay by Margaret Iversen explain how Ruscha first encountered Eilshemius s enigmatic paintings, which of the artist s aesthetic innovations captured Ruscha s imagination, and how his own work relates to and differs from that of the Neglected Marvel Eilshemius. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9780847869060
Anbieter: Hennessey + Ingalls, Los Angeles, CA, USA
Trade Paperback. Zustand: New. Ed Ruscha's Spied Upon Scene series of paintings, begun in 2017, depict majestic mountainscapes resembling the idyllic ranges of travel books, postcards, adventure movies, and the Paramount Pictures logo. These vistas, visible through oval-shaped lenses or window grids, seem to refer to the nineteenth-century tradition of the American Sublime. In fact, their lineage includes an obscure American painter from the turn of the century, Louis Michel Eilshemius (1864-1941), whose use of painted frames became an influence on Ruscha's approach. Commemorating an exhibition at Gagosian, London, this catalog is the first publication to examine the connections between these two artists' work. Two booklets in a softcover portfolio feature full-color plates and installation views. An interview with Ruscha and an essay by Margaret Iversen explain how Ruscha first encountered Eilshemius's enigmatic paintings, which of the artist's aesthetic innovations captured Ruscha's imagination, and how his own work relates to and differs from that of the 'Neglected Marvel' Eilshemius. Bestandsnummer des Verkäufers 269690
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