The most recent body of paintings of this New York-based artist, featuring the artist's examination of consumer culture in his handmade, "do-it- yourself " aesthetic.
This is the first publication to focus exclusively on the roughly hewn paintings by Tom Sachs (b. 1966), tracing his interest in combining cultural icons and corporate logos with a handcrafted aesthetic. Mining the American landscape for iconography, Sachs investigates themes of corporate and cultural identity--such as consumerism, branding, cultural dominance, and technological development--to explore the achievements, failures, and inherent contradictions of contemporary society. In addition to the essay by David Rimanelli and twenty-two plates, there is a conversation with the artist and an extensive chronology.
Sachs's meticulously handcrafted paintings depict such diverse topics as the Reese's candy bar, Fanta logo, Family Guy, Air Force One, Krusty O's cereal box, and the American flag; all modern icons that document successes and failures of the American experience and the ambiguities and contradictions inherent in its society and culture.
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David Rimanelli began writing about art in 1988 and has chronicled developments in the New York art world for over two decades. From 1993 to 1999, he was a regular contributor to The New Yorker; since 1997 he has been a contributing editor at Artforum, writing also for Bookforum, Interview, Texte zur Kunst, Vogue Paris, frieze, The New York Times, and Flash Art. He wrote some of the first articles on artists who are now influential figures, ranging from Cindy Sherman, Mike Kelley, Thomas Ruff, and Matthew Barney to Carol Bove and Nate Lowman. He is author of many books including books on Elizabeth Peyton, Brice Marden, and Ryan McGinley: Way Far (Rizzoli, 2015).
Naomi Fry became a staff writer at The New Yorker in 2018. Her writing on popular culture, books, and art has appeared in the Times Book Review, the Times Magazine, Artforum, and n+1, among other publications. She attended Tel Aviv University, holds a master's degree in English from Johns Hopkins University, and has taught at New York University and the Rhode Island School of Design. She grew up in Israel, and now lives in Brooklyn.
This is the first publication to focus exclusively on the roughly hewn paintings by Tom Sachs (b. 1966), tracing his interest in combining cultural icons and corporate logos with a handcrafted aesthetic. Mining the American landscape for iconography, Sachs investigates themes of corporate and cultural identity--such as consumerism, branding, cultural dominance, and technological development--to explore the achievements, failures, and inherent contradictions of contemporary society. In addition to the essay by David Rimanelli and twenty-two plates, there is a conversation with the artist and an extensive chronology. Sachs's meticulously handcrafted paintings depict such diverse topics as the Reese's locandy bar, Fanta logo, Family Guy, Air Force One, Krusty O's cereal box, and the American flag; all modern icons that document successes and failures of the American experience and the ambiguities and contradictions inherent in its society and culture
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Anbieter: HM Books, Kingston, NY, USA
hardcover. Zustand: VeryGood. Dust jacket shows some light scuffing and shelf wear but book is otherwise like new. Bestandsnummer des Verkäufers mon0000016721
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Anbieter: Mullen Books, ABAA, Marietta, PA, USA
Hardcover. Zustand: VG/VG. Silver boards. Color Illustrated dj. 148 pages : chiefly color illustrations. "This is the first publication to focus exclusively on the roughly hewn paintings by Tom Sachs (b. 1966), tracing his interest in combining cultural icons and corporate logos with a handcrafted aesthetic. Mining the American landscape for iconography, Sachs investigates themes of corporate and cultural identity--such as consumerism, branding, cultural dominance, and technological development--to explore the achievements, failures, and inherent contradictions of contemporary society. In addition to the essay by David Rimanelli and twenty-two plates, there is a conversation with the artist and an extensive chronology. Sachs's meticulously handcrafted paintings depict such diverse topics as the Reese's candy bar, Fanta logo, Family Guy, Air Force One, Krusty O's cereal box, and the American flag; all modern icons that document successes and failures of the American experience and the ambiguities and contradictions inherent in its society and culture." --WorldCat. Bestandsnummer des Verkäufers 190836
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Anbieter: DIAMOND HOLLOW BOOKS / MILES BELLAMY, ANDES, NY, USA
Hardcover. Zustand: VG+. Zustand des Schutzumschlags: VG. Very Good + condition in silver boards w/ orange and black lettering in Very Good dust jacket, 180 pages. Bestandsnummer des Verkäufers 2662
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Anbieter: Colin Martin Books, Near Hull, EY, Vereinigtes Königreich
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Qto., 180 pages, colour illustrated. An unused, Fine copy in a Fine dust jacket. Bestandsnummer des Verkäufers 101119
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Anbieter: Thomas Heneage Art Books, London, Vereinigtes Königreich
148 pages, illustrated in colour. Hardback 31 x 25.5cms. ISBN: 9780847870288. Bestandsnummer des Verkäufers 124099
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