Verwandte Artikel zu Sigmar Polke: Back to Postmodernity: 4 (Tate Liverpool...
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Sigmar Polke is a highly exemplary Postmodernist and perhaps one the most indicative of a truly European avant-garde culture. This book presents a number of critiques which shed light on Polke's otherwise bewildering display of stylistic references, apparent changes of allegiance and often unorthodox techniques of production.
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- VerlagLiverpool University Press
- Erscheinungsdatum1996
- ISBN 10 0853239118
- ISBN 13 9780853239116
- EinbandTapa blanda
- SpracheEnglisch
- Anzahl der Seiten184
- HerausgeberThistlewood David
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Sigmar Polke: Back to Postmodernity (Tate Liverpool Critical Forum)
Verlag:
Liverpool University Press, 1996
ISBN 10: 0853239118
ISBN 13: 9780853239116
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Anbieter: HALCYON BOOKS, LONDON, Vereinigtes Königreich
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Paperback. Zustand: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING. Bestandsnummer des Verkäufers mon0000492025
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Sigmar Polke: Back to Postmodernity (Tate Liverpool Critical Forum, 4) (Volume 4)
Verlag:
Liverpool University Press, 1996
ISBN 10: 0853239118
ISBN 13: 9780853239116
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Paperback
Anbieter: Avol's Books LLC, Madison, WI, USA
Verkäuferbewertung 4 von 5 Sternen
Paperback. Zustand: Fine. Bestandsnummer des Verkäufers 225757
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Sigmar Polke. Back to Postmodernity. Critical Forum Coordinator: Anne MacPhee.
Verlag:
Liverpool University Press / Tate Gallery Liverpool, 1996
ISBN 10: 0853239118
ISBN 13: 9780853239116
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Softcover
Anbieter: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Deutschland
Verkäuferbewertung 5 von 5 Sternen
Zustand: Gut. Critical Forum Series, Volume 4. IX; 172 Seiten; Illustr.; 24 cm; kart. Gutes Ex.; der farb. Einband stw. geringfügig berieben; mit Aufkleber. - Englisch. - . Consistent with an important purpose of the Critical Forum series, it identifies aspects of Polke's work about which there is reasonable consensus besides those which stimulate profound disagreement, on the part of historians and critics who approach him from aesthetic, philosophical and socio-cultural standpoints. Some contributors ground Polke in Neo-Dada's great enterprise to reclaim contact with the historic German avant-garde, and see him as having strategically confused representation and abstraction identified as these idioms were with Cold War factions competing to subsume German (and European) cultural identity. Others regard him as an exponent of German Pop, reflecting not on conspicuous consumption in a plentiful economy (like American counterparts) so much as on 'ordinary' consumption in the subsistence economy which characterised Europe, and especially the two Germanies, during the long period of post-war recovery. Yet others argue that Polke is a Modernist who has missed the crucial moment when practising in an exclusively modernist idiom would have been significant, and see him as compulsively revisiting Pop, Op, Conceptualism, New Figuration and Post Painterly Abstraction. And still others regard this aspect of his work as indicating that significance today resides in synthetic achievement, and that Polke is thus a highly exemplary Postmodernist and perhaps also one of the most indicative of a truly European avant-garde culture during a time when American critiques and values have tended to dominate art historical thinking. (Verlagstext) // INHALT : CONTENTS ---- Introduction DAVID THISTLEWOOD ---- Sigmar Polke and the Critical Problem of Multiple 'Signature Styles' ---- DAVID CAMPBELL Plotting Polke ---- JOSEPH E. McHUGH ---- Connecting the Dots: Sigmar Polke's ---- Rasterbilder in their Sociopolitical Context ---- MARTIN HENTSCHEL ---- Plotting Polke's Showcase Piece: ---- Irony and Parody as Vehicles of ---- Criticism and Artistic Freedom ---- FIONA ELLIOTT Sigmar Polke and Romanticism ---- GERLINDE GABRIEL Sigmar Polke's Paganini ---- DONALD KUSPIT ---- At the Tomb of the Unknown Picture: ---- Sigmar Polke's Art ---- KEVIN POWER Polke's Postmodern Play ---- ROY HOLT ---- Polke's Work: Verbs Posing as Nouns ---- ANDREW BENJAMIN Polke at the End of Painting ---- BICE CURIGER ---- On Sigmar Polke's Photo-Piece Paris 1911 ---- ANNE MacPHEE Sigmar Polke: A Selected Bibliography ---- Index. ISBN 0853239118 Sprache: Deutsch Gewicht in Gramm: 650. Bestandsnummer des Verkäufers 1197490
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Sigmar Polke: Back to Postmodernity
Verlag:
Liverpool Univ. Press, Liverpool, 1996
ISBN 10: 0853239118
ISBN 13: 9780853239116
Gebraucht
Softcover
Anbieter: Mullen Books, ABAA, Marietta, PA, USA
Verkäuferbewertung 4 von 5 Sternen
Softcover. Zustand: VG. Illustrated white wraps. ix, 172 pages : illustrations. Contents: Introduction : Sigmar Polke and the critical problem of multiple 'signature styles' / David Thistlewood -- Plotting Polke / David Campbell -- Connecting the dots : Sigmar Polke's Rasterbuilder in their sociopolitical context / Joseph E. McHugh -- Plotting Polke's Showcase piece : irony and parody as vehicles of criticism and artistic freedom / Martin Hentschel -- Sigmar Polke and romanticism / Fiona Elliott -- Sigmar Polke's Paganini / Gerlinde Gabriel -- At the tomb of the unknown picture : Sigmar Polke's art / Donald Kuspit -- Polke's postmodern play / Kevin Power --Polke's work : verbs posing as nouns / Roy Holt -- Polke at the end of painting / Andrew Benjamin -- On Sigmar Polke's photo-piece Paris 1971 / Bice Curiger -- Sigmar Polke : a selected bibliography / Anne MacPhee. Includes bibliographical references and index. Editor, David Thistlewood ; Critical forum coordinator, Anne MacPhee. Series: Tate Gallery Liverpool critical forum series Vol. 4. Bestandsnummer des Verkäufers 184823
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Beispielbild für diese ISBN
Sigmar Polke: Back to Postmodernity (Tate Liverpool Critical Forum)
Verlag:
Liverpool University Press, 1996
ISBN 10: 0853239118
ISBN 13: 9780853239116
Gebraucht
Paperback
Anbieter: Sequitur Books, Boonsboro, MD, USA
Verkäuferbewertung 5 von 5 Sternen
Paperback. Zustand: Very Good. Softcover. Good binding and cover. Clean, unmarked pages. Light wear. Related ephemera included. ix, 172 pages : illustrations ; 24 cm. Bestandsnummer des Verkäufers 1912180006
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