From the late nineteenth to the early twentieth century, Japan was a vital world center for postcard art. Art of the Japanese Postcard presents 300 full-color examples of these cards, culled from the vast Leonard A. Lauder Collection. Authoritative essays by leading scholars of Japanese art and culture, plus a statement by the collector himself, highlight the design, development, and cultural function of these rarely studied, but highly influential and visually exciting, expressions of graphic genius. From the late nineteenth to the early twentieth century, Japan was a vital world centre for postcard art. More than just casual mail pieces, these postcards were often designed by prominent artists and had a visual impact that belied their modest format. Remarkably beautiful examples of graphic design in their own right, they also recorded the shifting definitions of 'East' and 'West' at a time when such European currents as Art Nouveau began to show up in Japanese visual productions. Art of the Japanese Postcard presents 350 full-color examples of these cards, culled from the vast Leonard A. Lauder Collection. They are astonishing not only for their beauty and the quality of their printing, but also for the insight they provide into contemporary Japanese artistic practices - insights not relayed in standard histories that focus on painting and sculpture - as well as for the fluid interplay of European and Japanese modes. Authoritative essays by leading scholars of Japanese art and culture, plus a statement by the collector himself, highlight the design, development, and cultural function of these rarely studied, but highly influential and visually exciting, expressions of graphic genius.
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Anne Nishimura Morse is Curator of Japanese Art at the Museum of Fine Arts, Boston, USA. J. Thomas Rimer is a Professor in the Department of East Asian Languages and Literatures at the University of Pittsburgh, USA. Kendall H. Brown is an Assistant Professor in the Department of Art at California State University, Long Beach, USA.
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Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Bestandsnummer des Verkäufers GOR006604463
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Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind. Bestandsnummer des Verkäufers rev7159450930
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Anbieter: WeBuyBooks, Rossendale, LANCS, Vereinigtes Königreich
Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Bestandsnummer des Verkäufers rev3351675782
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Soft cover. Zustand: As New. Book is as new condition. 288pp with b/w illustrations. Bestandsnummer des Verkäufers 036167
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Anbieter: Antiquariat Hubertus von Somogyi-Erdödy, Schleswig, Deutschland
Boston, Museum of Fine Arts, 2004. 287 S. mit zahlr. Farbabb. Broschur. - Essays von Anne Nishimura Morse, J. Thomas Rimer und Kendall H. Brown. - mit 38 Künstlerbiographien und deren Signaturen. - neuwertiges Exempar. - Clear fine Copy. Bestandsnummer des Verkäufers 3582
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