Combining anecdotes with analysis, Margaret Randall describes how, in 20th century revolutionary societies, women's issues were gradually pushed aside. Randall shows how distorted visions of liberation and shortcomings in practice left a legacy that not only shortchanged women but undermined the revolutionary project itself. Finally, she grapples with the ways in which women themselves often retreated into more traditional roles and the rage that this engenders.
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Margaret Randall is a poet, writer, translator, photographer, and activist who has lived in New York, Mexico City, Havana, Cuba, Managua, Nicaragua, and Albuquerque, New Mexico, with short stays in North Vietnam and Lima, Peru. Her time in these places often coincided with major sociopolitical upheavals or pivotal historic moments. She edited an important bilingual literary magazine for eight years out of Mexico City and has known some of the great minds of her generation. When she returned to the United States, the US government ordered her deported because of opinions expressed in some of her books, and she was forced to wage a five-year battle for restoration of citizenship. Her correspondence with those she met along the way makes for exciting reading.
Randall is the recipient of numerous international awards and the author of over 200 books, four of which were published by New Village Press: My Life in 100 Objects, Artists in My Life, Risking a Somersault in the Air, and Luck.„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
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