A ground-breaking look at Japanese folk art as a manifestation of the essential world from which art, philosophy, and religion arise
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SOETSU YANAGI was born in Tokyo in 1889 and graduated from the literature department of the Tokyo Imperial University in 1913, majoring in psychology. Proficient in English and with a deep feeling for art, while still a student Mr. Yanagi became associated with the Shirakaba ("Silver Birch") literary group, to which he was partly responsible for interpreting Western art to Japan.
In 1921, he completed the organization of a Korean folkcraft museum in Seoul, and, in 1936, the present Japan Folkcraft Museum in Tokyo was completed through his efforts.
Mr. Yanagi traveled widely in the Orient, Europe, and America. In 1929 he lectured at Harvard University for one year. In Japan, sometimes in the company of the potters Kanjiro Kawai, Shoji Hamada, and Bernard Leach, he sought out anonymous craftsman of all kinds throughout the country and encouraged their work. He also wrote prolifically and profoundly on all aspects of aesthetics, finding his inspiration in Japanese and Oriental folkcraft and folk culture. His personal collection of folkcrafts is the nucleus of the Japan Folkcraft Museum collection. Mr. Yanagi died in Tokyo in 1961.
The Adaptor, BERNARD LEACH today is known as one of the world's greatest potters. His numerous books are familiar to everyone interested in modem crafts. Mr. Leach first came to Japan at the age of 22, in 1909, met the Shirakaba group and soon became an intimate friend of Soetsu Yanagi. It is difficult to say which of the two men influenced the other the more. In Mr. Yanagi's own words, "Leach came to Japan... full of dreams and wonder.... It is doubtful if any other visitor from the West ever shared our spiritual life so completely". This volume is Mr. Leach's tribute to his friend of fifty years standing.
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Anbieter: Orchid Press, Trinity East, NL, Kanada
Softbound. Zustand: Very Good. Revised edition. Adapted by Bernard Leach; foreword by Shoji Hamada. Soetsu Yanagi was the founding father of the modern Japanese folk art tradition, having spent his entire career in the study of the beauty and truth within what he described as "objects born, not made". His appreciation and promotion of the products of the anonymous craftsman led him to found two museums dedicated to such works; one in Korea and the second in Japan; he also wrote widely on the subject of aesthetics, specifically as applied to traditional crafts. This volume is essential reading for all who wish to understand the foundations and philosophy of the Japanese folk art (mingei) movement. Minor wear and creasing to wrappers; internally clean and unmarked. 231 pp., 12 col. and 65 b&w plates. Size: 24 x 18 cm. Bestandsnummer des Verkäufers 002735
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