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Buchbeschreibung Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Hardbound in dust jacket. 1st edition. Slight age toning to page edges, but otherwise very good. [ Heavy - Please contact for overseas shipping quote ]. Bestandsnummer des Verkäufers 64207
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Buchbeschreibung Hardcover. Zustand: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING. Bestandsnummer des Verkäufers mon0000789144
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Buchbeschreibung Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. 1st edn, 1985. 303pp. Many colour illus. Very good blue cloth binding. Very good decorative dust wrapper. Bestandsnummer des Verkäufers 003885
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Buchbeschreibung Hardcover. Zustand: As New. Zustand des Schutzumschlags: Near Fine. 1st Edition. 11 1/2" x 9 3/8?, 304 pages, profusely illustrated mainly in colour, chronology, list of Poussin?s patrons, bibliography, index of collections. In this revealing study, illustrated in full color, Christopher Wright, charts Poussin's stylistic development in 17th century Rome from his experimental early pictures through to the uncompromising works of his later years. Hb, virtually as new, in near fine dw, its one defect being the slight remains of a previous pricing label. Bestandsnummer des Verkäufers 007102
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Buchbeschreibung Hardcover. Zustand: Fine. First Edition. Hardback. Dust Jacket. 4to. Copiously illustrated in colour and black and white throughout. ISBN: 0870522183 Pages: 304 Fine in fine dust wrapper. Bestandsnummer des Verkäufers A87876
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Buchbeschreibung Hardcover. Zustand: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Images are beautiful bright and vivid. No notes or highlighting. See images. Fantastic book. About the book >.>.> Poussin did not end with such extremes as the Rouen picture. The precise chronology of the other works executed at this same is unclear but this terming severity seemed to be taking over. The overt inconsistence of Poussin's development is proved by the one painting which can be securely dared to 1638 by Felibien, the Lougee Moses saved from the Water, Without such evidence it would be tempting to place the painting rather later than the Rouen picture. The composition is totally static, the main figures being grouped together in the scene. None of the movement found in the Suoments is apparent and therefore its dating comes as an immense surprise at this stage of Poussin's development. Such a lack of compromise is a strong characteristic of his art in the late 1640s and early 1650s. A far more powerful composition is the Louvre Arcadia Ego This has long been one of Poussin's most celebrated pictures: The theme is already familiar from the Chatsworth version of the same. Bestandsnummer des Verkäufers Batch-FM296-VG-7457
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Buchbeschreibung hard back. Zustand: Fine. Zustand des Schutzumschlags: Fine. 304pp. 218 illus. (mostly colour). biblio. index. Blue pictorila d.j. No inscriptions, clipping or wear. Size: 4to. Bestandsnummer des Verkäufers X393
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Buchbeschreibung Hardcover. Dust Jacket Included. 4to. pp. 304. 218 illus. (mostly colour). biblio. index. cloth. dw. First Edition. Bestandsnummer des Verkäufers AIGusWRI59
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