Fernand Lager is the only major modern artist to choose modernity itself as his subject. From his early series Contrastes de formes of 1913-14--the first fully abstract works to emerge from Cubism--through his paintings of construction workers from the late 1940s and early 1950s, his enduring subject was the pulse and dynamism of everyday life. Lager saw the 20th century environment as a "state of contrasts," a condition that he translated into art through forceful juxtaposition of shape, color, and line. His attempt to reconcile the formal concerns of artmaking with issues of social responsibility continues to be relevant to the art world of today. Accompanying texts recount Lager's experience of and interest in America and America's interest in him; explore refractions of Lager's interests in the work of more recent artists; and discuss Lager's ambition to make an art reflecting the "new visual state" of modern life. An illustrated chronology tells the story of the artist's life, focusing on his time in America, the plate section is complemented by a series of short essays tracing the formal and thematic developments in his art, and a selected bibliography and detailed exhibition history complete the book.This book was published to accompany the 1998 retrospective at The Museum of Modern Art, New York.
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Paperback. Zustand: Near Fine. 303, [1] p.: illustrations; 25 x 26 cm. Paperback with illustrated cover. Published to accompany an exihibition. "With essays by Carolyn Lanchner, Jodi Hauptman, and Mahhew Affron and contributions by Beth Handler and Kristen Erickson." A heavy book; for international shipping, the U.S. Postal Service requires that it be shipped by priority/expedited shipping. In Near Fine Condition: cover is slightly rubbed; clean and tight. Bestandsnummer des Verkäufers 011219
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Encuadernación de tapa blanda. Zustand: Como Nuevo. Zustand des Schutzumschlags: Como Nuevo. 1? Edición. Condición: Como nuevo, sin marcas por uso. Esta monografía del MoMA presenta un recorrido claro por la evolución artística de Fernand Léger, desde sus primeras exploraciones cubistas hasta sus obras más coloristas y mecánicas. Analiza cómo incorporó elementos de la vida moderna ?máquinas, arquitectura, movimiento urbano? para construir un lenguaje visual propio. El libro destaca su interés por la claridad formal, el ritmo y la composición monumental. Conjuga biografía, contexto y análisis de obra para mostrar a Léger como una figura clave de la modernidad. Bestandsnummer des Verkäufers 001174
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