"Through the introduction by Michael Howard and Steiner's ten lectures, this volume offers an account of the sources and purposes of art, as well as a particularly helpful approach to art as a spiritual practice. So, far from being dated, Steiner's account of art and its relation to spiritual experience is at least contemporary and probably ahead of its time. As this book ably shows, Steiner's insights concerning art, particularly when approached and practiced as a spiritual activity, might be exactly what art, artists, and contemporary culture urgently need." --Robert McDermott (from the foreword)
Seeing his task as the renewal of the lost unity of science, art, and religion, Rudolf Steiner created in the worldview he called Anthroposophy a new, cognitive scientific and religious art, the implications of which--recognized by such divergent artists as Wassily Kandinsky and Joseph Beuys--are only now becoming fully apparent. Art as Spiritual Activity includes a comprehensive, thought-provoking introduction of more than a hundred pages by Michael Howard, who writes:
"The most fundamental issue for arts today...is the spiritual foundation of arts.... Steiner demonstrates that our individual creative activity is not solely a personal affair. Our creations do not originate out of nowhere, nor solely out of ourselves, but from an objective world of spirit with which we are intimately related in the depths of our being. He shows that our creations have significance beyond ourselves and beyond the recognition they receive: works of art are vehicles of spiritual qualities. In bringing these spiritual qualities into the sphere of human life, the artist becomes responsible for the spiritual effects the work of art has on the artist, other people, and ultimately on human evolution."Art as Spiritual Activity introduces a new way of thinking about, looking at, and creating art.
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Rudolf Steiner (b. Rudolf Joseph Lorenz Steiner, 1861-1925) was born in the small village of Kraljevec, Austro-Hungarian Empire (now in Croatia), where he grew up. As a young man, he lived in Weimar and Berlin, where he became a well-published scientific, literary, and philosophical scholar, known especially for his work with Goethe's scientific writings. Steiner termed his spiritual philosophy anthroposophy, meaning "wisdom of the human being." As an exceptionally developed seer, he based his work on direct knowledge and perception of spiritual dimensions. He initiated a modern, universal "spiritual science" that is accessible to anyone willing to exercise clear and unbiased thinking. From his spiritual investigations, Steiner provided suggestions for the renewal of numerous activities, including education (general and for special needs), agriculture, medicine, economics, architecture, science, philosophy, Christianity, and the arts. There are currently thousands of schools, clinics, farms, and initiatives in other fields that involve practical work based on the principles Steiner developed. His many published works feature his research into the spiritual nature of human beings, the evolution of the world and humanity, and methods for personal development. He wrote some thirty books and delivered more than six thousand lectures throughout much of Europe. In 1924, Steiner founded the General Anthroposophical Society, which today has branches around the world.
Michael Howard, born in Vancouver, BC, in 1946, began sculpting at the age of fifteen. He received his B.F.A. from Eastern Michigan University and his M.A. in Fine Arts from Columbia Pacific University. He has studied the work of Rudolf Steiner since 1969. For thirty years, Michael has made an independent study of Rudolf Steiner's sculpture and taught primarily in Waldorf schools and anthroposophic centers, both in Europe and North America. Since 1985, he has taught sculpture at Sunbridge College in Spring Valley, New York. He is the leader of the Visual Art Section of the Anthroposophical Society in North America.
Robert McDermott, Ph.D., is president emeritus and chair of the Philosophy, Cosmology, and Consciousness Program at the California Institute of Integral Studies (CIIS). His publications include Radhakrishnan (1970); The Essential Aurobindo (1974, 1987); The Essential Steiner (1984); (with Rudolf Steiner) The Bhagavad Gita and the West (2009); and The New Essential Steiner (2009). He has also published on William James, Josiah Royce, M. K. Gandhi, the evolution of consciousness, and American thought. His administrative service includes president of the New York Center for Anthroposophy; president of the Rudolf Steiner [summer] Institute; chair of the board of Sunbridge College (New York) and of Rudolf Steiner College (California). He was a member of the council of the Anthroposophical Society in America (1996-2004). He is the founding chair of the board of the Sophia Project, an anthroposophic home in Oakland, California, for mothers and children at risk of homelessness. He is a Lindisfarne fellow, a Fetzer mentor, and a member of the Esalen Corportion.
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Paperback. Zustand: new. Paperback. This book introduces a new way for thinking about, creating, and viewing art. Rudolf Steiner saw his task as the renewal of the lost unity of science, the arts, and religion; thus, he created a new, cognitive scientific and religious art in anthroposophy. The implications of his act --recognized by such diverse artists as Wassily Kandinsky and Joseph Beuys --are only now coming fully to light. In his thorough introduction of more than a hundred pages, Michael Howard takes readers through these thought-provoking chapters: * Is Art Dead? * To Muse or Amuse * Artistic Activity As Spiritual Activity * The Representative of Humanity * Beauty, Creativity, and Metamorphosis * New Directions in Art Lectures include: * The Aesthetics of Goethe's Worldview * The Spiritual Being of Art * Buildings Will Speak * The Sense Organs and Aesthetic Experience * The Two Sources of Art * The Building at Dornach * The Supersensible Origin of the Arts * Truth, Beauty, and Goodness * Christ, Ahriman, and Lucifer * Plus a bibliography and index Although trained as a scientist and a philosopher, Rudolf Steiner always placed a high value on the practice of art and always worked artistically: whatever he did was done with great artistry. Furthermore, as a spiritual teacher, Steiner's ideal was the reunion of science, religion, and art in a new, human sacramental culture. The eleven lectures collected here reveal the many-facetted perspectives Steiner offered regarding the vital role of the visual arts in human affairs. For Steiner, art is above all a way of building a bridge between the spiritual and the physical realms. His views are not abstract theories or utopian ideals, but a constant striving through the inherent qualities of color and form to realize concrete artistic projects in architecture, sculpture, and painting. On first meeting Steiner's radical ideas, many people — artists as well as non-artists — wonder what sense they can make of such an approach to art. The introduction by Michael Howard introduces these ideas by recounting one artist's experience of struggling to make Steiner's views and way of doing art his own. Ultimately, however each person must make their own relationship to Steiner's approach, buth the story of how one artist took up the challenge may stimulate others to do the same. The book includes numerous photographs. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9780880103961
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