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Six essays, available here for the first time in English, present an overview of the German movement of psychological aesthetics, Kunstwissenschaft. Written at the end of the 19th century, when art's traditional historical theme appeared exhausted, these works redesigned the theoretical basis of artistic practice. The metaphysical problem of understanding form and space in the natural world gave way to the aesthetic problem of appreciating and exploiting pure form and space in painting, sculpture, music and architecture. The subjective psychological thesis of "empathy" and the more general search for art's "basic principles" together introduced the possibility of non-representational expression, stylistic change and radical reform. Included are essays by Robert Vischer, Conrad Fiedler, Heinrich Wolfflin, Adolf Goller, Adolf von Hildebrand and August Schmarsow. An introduction by the editors situates these writings within the historical and philosophical context of German formalist aesthetics.
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Six essays, available here for the first time in English, present an overview of the German movement of psychological aesthetics, Kunstwissenschaft. Written at the end of the 19th century, when art's traditional historical theme appeared exhausted, these works redesigned the theoretical basis of artistic practice. The metaphysical problem of understanding form and space in the natural world gave way to the aesthetic problem of appreciating and exploiting pure form and space in painting, sculpture, music and architecture. The subjective psychological thesis of "empathy" and the more general search for art's "basic principles" together introduced the possibility of non-representational expression, stylistic change and radical reform. Included are essays by Robert Vischer, Conrad Fiedler, Heinrich Wolfflin, Adolf Goller, Adolf von Hildebrand and August Schmarsow. An introduction by the editors situates these writings within the historical and philosophical context of German formalist aesthetics.
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Empathy, Form, and Space Problems in German Aesthetics, 1873-1893
Verlag:
The Getty Center for the History of Art, 1993
ISBN 10: 0892362596
ISBN 13: 9780892362592
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Empathy, Form, and Space: Problems in German Aesthetics, 1873-1893 (Texts and Documents Series)
Verlag:
The Getty Center For The History Of Art, 1993
ISBN 10: 0892362596
ISBN 13: 9780892362592
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Empathy, Form, and Space: Problems in German Aesthetics, 1873-1893 (Texts and Documents Series)
Verlag:
The Getty Center For The History Of Art, 1993
ISBN 10: 0892362596
ISBN 13: 9780892362592
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Empathy, Form, and Space: Problems in German Aesthetics, 1873-1893 (Texts and Documents Series)
Verlag:
The Getty Center For The History Of Art, 1993
ISBN 10: 0892362596
ISBN 13: 9780892362592
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Empathy, Form, and Space: Problems in German Aesthetics, 1873-1893
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Oxford University Press, USA, 1996
ISBN 10: 0892362596
ISBN 13: 9780892362592
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Empathy, Form, and Space: Problems in German Aesthetics, 1873-1893 (Texts and Documents Series)
Verlag:
The Getty Center For The History Of Art, 1993
ISBN 10: 0892362596
ISBN 13: 9780892362592
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Softcover
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Zustand: Very Good. Very Good; Softcover; Light wear to the covers; Unblemished textblock edges; The endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Medium-Large Format (Quatro, 9.75" - 10.75" tall); 2.4 lbs; Yellow and white paper covers with title in black lettering; 1993, The Getty Center For The History Of Art; 342 pages; "Empathy, Form, and Space: Problems in German Aesthetics, 1873-1893 (Texts and Documents Series)," by Robert Vischer, et al. Bestandsnummer des Verkäufers SKU-1613AE07204305
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Empathy, Form, and Space: Problems in German Aesthetics, 1873-1893 (Texts and Documents Series)
Verlag:
The Getty Center For The History Of Art, 1993
ISBN 10: 0892362596
ISBN 13: 9780892362592
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