In Radiant Identities, photographer Jock Sturges explores issues of youth and the liberation of body and spirit. These unforgettable images are made from his own circle of acquaintances and family; the settings are their homes and stretches of naturist beaches in France and Northern California. In superb reproductions, Sturges evokes the classical spirit of Old Master paintings and late-nineteenth-century photographic tableaux, while probing concepts of emergent sexuality and psychological intimacy. Radiant Identities is the second volume in Sturges's ongoing work. Physically and psychically revealing, these deeply felt images are gloriously natural and wonderfully compelling. Elizabeth Beverly's introductory essay, drawn in part from conversations with Sturges's subjects, adds a new dimension to the photographs. These personal reflections shed light on the unique collaborative process by which Sturges's remarkable photographs are made. In the book's afterword, noted photography critic A.D. Coleman places Sturges in the context of current debates surrounding censorship in the arts, and discusses the themes of innocence and sexuality in the photographs.
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Jock Sturges received a B.A. in Perceptual Psychology and Photography from Marlboro College in Vermont and an M.F.A. from the San Francisco Art Institute. He has exhibited widely in the United States as well as in France and Japan. His photographs are in the collections of the Museum of Modern Art and the Metropolitan Museum of Art in New York, and the Bibliothèque Nationale in Paris. Elizabeth Beverly’s ethnographic fieldwork focuses on women’s culture among the Madinko of rural Senegal. Her articles, essays, and reviews have appeared in Ethos, Soundings, and Commonweal. Her play, Kindred Minds, was performed in 1993 in Portland, Oregon. A.D. Coleman is the author of The Grotesque in Photography, Light Readings, and the collections of essays Depth of Field and Critical Focus. He was the first photo critic for the New York Times, authoring 120 articles in his tenure.
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Softcover. Zustand: gut. 2004. With Radiant Identities, the highly acclaimed creator of The Last Day Of Summer further explores the sensual and psycholgical territories of youth and family. Gorgeously printed black-and-white pictures evoke the classic spirit of Old Master paintings and late 19th-century photographic tableaux while probing modern concepts of sexual and psychological intimacy. 70 photos. In Radiant Identities, photographer Jock Sturges explores issues of youth and the liberation of body and spirit. These unforgettable images are made from his own circle of acquaintances and family; the settings are their homes and stretches of naturist beaches in France and Northern California. In superb reproductions, Sturges evokes the classical spirit of Old Master paintings and late-nineteenth-century photographic tableaux, while probing concepts of emergent sexuality and psychological intimacy. Aperture's 1991 publication of Sturges's first book, The Last Day of Summer, came shortly after the FBI's much-publicized raid on his home in California, the confiscation of thousands of his images--deemed "pornographic"--and the subsequent rejection of the case by a federal grand jury. Now in its fifth printing, The Last Day of Summer has outlived and transcended that ordeal, drawing both critical and popular acclaim throughout the United States, Europe, and Asia, and bringnig Sturges well-deserved artistic recognition. Radiant Identities is the second volume in Sturges's ongoing work. Physically and psychically revealing, these deeply felt images are glorioiusly natural and wonderfully compelling. Elizabeth Beverly's introductory essay, drawn in part from conversations with Sturges's subjects, adds a new dimension to the photogarphs. These personal reflections shed light on the unique collaborative process by which Sturges's remarkable photographs are made. In the book's afterward, noted photography critic A.D. Coleman places Sturges in the context of current debates surrounding censorship in the arts, and discusses the themes of innocence and sexuality in the photographs. Zusatzinfo Illustrated in duotone throughout Verlagsort New York Sprache englisch Maße 244 x 288 mm Kunst Musik Theater Fotokunst ISBN-10 0-89381-649-3 / 0893816493 ISBN-13 978-0-89381-649-0 / 9780893816490 Jock Sturges: Radiant Identities: Photographs Jock Sturges Fotokunst Aktphotographie Erotik Fotokunst Akt Fotografie The Last Day Of Summer intimacy photographer pornographic photogarphs photography censorship in arts innocence sexuality erotic act In englischer Sprache. 96 pages. 244 x 288 mm. Bestandsnummer des Verkäufers BN40850
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