Published in conjunction with an exhibition organized by the National Gallery of Art, Washington, in association with the Brooklyn Museum and the Saint Louis Art Museum. In the 1850s and 1860s, painting landscapes in oils directly from nature moved from the margins of artistic activity to become a central creed and practice for radical young European painters; but the subject of this exhibition and catalog is the open-air work done earlier, by painters active between 1780 and 1840, when such paintings were considered merely part of the working process. Five essays precede presentation of the works, each of which is thoroughly captioned. 9.25x11.75 " Annotation c. by Book News, Inc., Portland, Or.
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Paperback. Zustand: Very good. 9 x 12 in. Paper wraps. Color plates. Condition is VERY GOOD ; covers clean, a bit rubbed, mild edge wear. Binding tight, text unmarked. Art. Stax. Bestandsnummer des Verkäufers 53727
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Soft cover. Zustand: Very Good. 1st Edition. Over-sized soft cover book titled IN THE LIGHT OF ITALY: Corot and Early Open-Air Painting. Published in 1996 by National Gallery of Art. Beautifully illustrated with color reproductions of various artist work.Light rubbing to covers. Bookseller since 1995 (LL-Art-2-top) rareviewbooks Language: eng. Bestandsnummer des Verkäufers RVB04021604
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Softcover. Color pictorial wraps. 288 pp. 131+ color plates. Issued in conjunction with a series of 1996-1997 exhibitions that explore "the work of two generations of European artists between about 1780 and 1840, who were the pioneers of painting in oils directly from nature in the open air." With essays by Philip Conisbee, Sarah Faunce, Jeremy Strick, and Vincent Pomarede. The annotated and illustrated catalogue addresses 130 works from 48 artists, among them Jean-Baptiste-Camille Corot. Includes a substantial bibliography and lovely illustrations. VG- (may have small amount of writing & soiling on inside of covers; may be ex-library with labels and markings.). Bestandsnummer des Verkäufers 21961
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