LESSONS, Level One, from the DAVID CARR GLOVER METHOD FOR PIANO reviews the basic concepts presented in LESSONS, Primer Level. New concepts are introduced and reinforced sequentially through the use of original compositions, folk songs and the sounds of today. This book, combined with the recommended supplementary materials, continues to assist the student in developing the ability to read and perform musically through interval recognition, sight reading and ear training. The student will continue to experience the basic elements of improvisation as the creative activities, EXPLORE, are presented. Supplementary materials are carefully correlated and coded with the LESSONS book to provide reinforcement of all concepts. The DAVID CARR GLOVER METHOD FOR PIANO has been created to provide an enjoyable program of piano instruction which is pedagogically sound.
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LESSONS, Level One, from the DAVID CARR GLOVER METHOD FOR PIANO reviews the basic concepts presented in LESSONS, Primer Level. New concepts are introduced and reinforced sequentially through the use of original compositions, folk songs and the sounds of today. This book, combined with the recommended supplementary materials, continues to assist the student in developing the ability to read and perform musically through interval recognition, sight reading and ear training. The student will continue to experience the basic elements of improvisation as the creative activities, EXPLORE, are presented. Supplementary materials are carefully correlated and coded with the LESSONS book to provide reinforcement of all concepts. The DAVID CARR GLOVER METHOD FOR PIANO has been created to provide an enjoyable program of piano instruction which is pedagogically sound.
David Glover is Senior Lecturer in English at the University of Southampton, where he teaches courses on cultural theory, Irish literature, and Victorian and Edwardian literature and culture. He is the author of Vampires, Mummies, and Liberals: Bram Stoker and the Politics of Popular Fiction (1996) and Genders (2000 and 2009) and has recently co-edited The Cambridge Companion to Popular Fiction.
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