Counterpunch is both an explanation of the 16th-century method of cutting metal type and an impassioned plea for contemporary designers to incorporate the lessons of history as a means of creating typography in our digital age. Smeijers sees the counterpunch technique as essential for ensuring the regularity of form, repeatability, and speed of production necessary for rational design.
Smeijers traces the history of letterform design to discover how technique influenced the shape of type, whether the metal punches of the past or today's computer-generated forms. Counterpunch is generously illustrated with drawings by the author, examples of early type specimens, and detailed photographs of punches.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. Bestandsnummer des Verkäufers G0907259065I5N00
Anzahl: 1 verfügbar
Anbieter: Yesterday's Muse, ABAA, ILAB, IOBA, Webster, NY, USA
Trade Paperback. Zustand: Good. Surface tear on spine from sticker removal, edges a bit rubbed with 1 inch closed tear on back corner, spine faded and lightly creased. Binding tight and square, pages clean, bright, and unmarked. 1996 Trade Paperback. 191 pp. Counterpunch is both an explanation of the 16th-century method ofcutting metal type and an impassioned plea for contemporary designers to incorporate the lessons of history as a means of creating typography in our digital age. Smeijers sees the counterpunch technique as essential for ensuring the regularity of form, repeatability, and speed of production necessary for rational design. Smeijers traces the history of letterform design to discover how technique influenced the shape of type, whether the metal punches of the past or today's computer-generated forms. Counterpunch is generouslyillustrated with drawings by the author, examples of early type specimens, and detailed photographs of punches. Bestandsnummer des Verkäufers 2351576
Anzahl: 1 verfügbar
Anbieter: Yesterday's Muse, ABAA, ILAB, IOBA, Webster, NY, USA
Trade Paperback. Zustand: Very Good. Edges a bit rubbed with a couple blemishes along bottom edge of rear wrapper. Binding tight and square, pages clean, bright, and unmarked. 1996 Trade Paperback. 191 pp. Counterpunch is both an explanation of the 16th-century method ofcutting metal type and an impassioned plea for contemporary designers to incorporate the lessons of history as a means of creating typography in our digital age. Smeijers sees the counterpunch technique as essential for ensuring the regularity of form, repeatability, and speed of production necessary for rational design. Smeijers traces the history of letterform design to discover how technique influenced the shape of type, whether the metal punches of the past or today's computer-generated forms. Counterpunch is generouslyillustrated with drawings by the author, examples of early type specimens, and detailed photographs of punches. Bestandsnummer des Verkäufers 2351554
Anzahl: 1 verfügbar
Anbieter: BennettBooksLtd, Los Angeles, CA, USA
paperback. Zustand: New. In shrink wrap. Looks like an interesting title! Bestandsnummer des Verkäufers Q-0907259065
Anzahl: 1 verfügbar
Anbieter: Lost Books, AUSTIN, TX, USA
Trade paperback. Zustand: Very good. Trade paperback (US). 191 p. Contains: Illustrations. Audience: General/trade. Bestandsnummer des Verkäufers Alibris.0018274
Anzahl: 1 verfügbar
Anbieter: The Book Spot, Sioux Falls, MN, USA
Paperback. Bestandsnummer des Verkäufers Abebooks215096
Anzahl: 1 verfügbar
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Paperback. Zustand: Brand New. 191 pages. 9.00x6.00x0.75 inches. In Stock. Bestandsnummer des Verkäufers 0907259065
Anzahl: 1 verfügbar