Anbieter: Stephen Bulger Gallery, Toronto, ON, Kanada
Soft cover. Zustand: Very Good. Bestandsnummer des Verkäufers ABE-1555189529909
Anzahl: 1 verfügbar
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
First Edition. First edition. Softcover. 23 pages. Published in conjunction an exhibition that ran September 23 through November 1, 1984. Foreword by James Enyeart. Features text by Moore. Includes a 16 color images, chronology, list of previous exhibitions, and checklist. A near fine copy in stapled wrappers and with a laid in mailer announcing this catalog /show. Bestandsnummer des Verkäufers 179544
Anzahl: 1 verfügbar
Anbieter: Texas Exile Books, Tucson, AZ, USA
Zustand: Fine. AUTOGRAPHED by PHOTOGRAPHER JOYCE NEIMANAS/AUTHOR SARAH J. MOORE on title page. 1984 Center for Creative Photography(University of Arizona) softcover pamphlet. ISBN: 0938262114. SPINE TIGHT, tiny crease top, bottom spine. Text: LIKE NEW. Cover: Pair 1/16" and less discolorations mid-upper back edge. Near fine+/Fine w/ like new sheen. Signed by Author(s). Bestandsnummer des Verkäufers ABE-1785312482494
Anzahl: 1 verfügbar
Anbieter: Vincent Borrelli, Bookseller, Albuquerque, NM, USA
Soft cover. Zustand: Fine. 1st Edition. First edition, first printing. Soft cover. Photographs and mixed-media works by Joyce Neimanas. Foreword by James Enyeart. Text by Sarah J. Moore. Includes a chronology, selected exhibition history and checklist. Designed by Nancy Solomon. 24 pp., with 16 four-color plates. 10-1/2 x 8-5/8 inches. Published on the occasion of an exhibition at the Center for Creative Photography, University of Arizona, Tucson. Fine. From the artist: "Since the photograph has such a strong connection to 'real life' and particularly to memory . the artist photographer should not be seduced into a desire to conform to a preconceived notion about it as a medium. Society will continue to look for pictures (and literature) that confirm previously held truths and ideas. In that narrowness, even reality is held accountable. 'That is as pretty as a picture.' Any deviation becomes suspect. Photography, on the other hand, does not have to suffer from such a rational philosophical dictum as observed reality. The photographer need not illustrate society's temporary truths. There is no morality in mixing media -- no positive or negative mark. The right color process does not exist, nor does the perfect black-and-white print. The ideal subject is an illusion, as is the perfect archival print. Art is an attitude that produces an object by using media. Media does not produce Art.". Bestandsnummer des Verkäufers 109891
Anzahl: 1 verfügbar
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
First Edition. First edition. Softcover. 23 pages. Published in conjunction an exhibition that ran September 23 through November 1, 1984. Foreword by James Enyeart. Features text by Sarah J. Moore. Includes a 16 color images, chronology, list of previous exhibitions, and checklist. A very good copy in stapled wrappers with some faint staining to the top of the spine that extends to the first and last few pages but with no impact on the text or images. Signed and inscribed by Neimanas on the title page to fellow photographer Barbara Crane. A nice association copy. Signed. Bestandsnummer des Verkäufers 213084
Anzahl: 1 verfügbar
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
First Edition. First edition. Softcover. 23 pages. Published in conjunction an exhibition that ran September 23 through November 1, 1984. Foreword by James Enyeart. Features text by Sarah J. Moore. Includes a 16 color images, chronology, list of previous exhibitions, and checklist. A clean very near fine copy in stapled wrappers. Signed by both Neimanas and Moore on the title page. Uncommon as such. Signed. Bestandsnummer des Verkäufers 197351
Anzahl: 1 verfügbar