Ours is a culture riddled with preoccupations about health and disease. In this timely study Sander L. Gilman demonstrates how images of beauty and ugliness have constructed a visual history which records the artificial boundaries that continue to divide ‘healthy’ bodies from ones that are ill. He shows how cultural fantasies of health and illness have come to be identified and defined by means of visual, aesthetic criteria – for the healthy is now seen as beautiful and the ill as ugly.
How did these categories acquire medical associations? The history of our perception of the ‘beautiful body’ is charged with anxieties about contagion and ugliness and, furthermore, entangled with political implications brought about by our all-too-frequent interpretation of ‘race’ as a medical category. Sander Gilman looks at how nineteenth-century theorists collected medical and racial data from the shapes of noses, and at contemporary fears concerning syphilis, vividly personified in the diseased hero of Leroux’s The Phantom of the Opéra. He also scrutinizes Mark Twain’s frank account of a visit to the Holy Land for signs of implicit prejudice about the health or illness of the resident Arabs and Jews. These concerns are brought up-to-date when the author turns to pathological case histories and recent AIDS posters issued by governments worldwide.
This is more than simply a history of medicine augmented by visual evidence; its true originality lies in reading from the same visual sources an otherwise unnoticed aestheticization of the body. In so doing, Sander Gilman has discovered a new, exciting, alternative reading of the history of health and illness.
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Sander L. Gilman is Distinguished Professor Emeritus of the Liberal Arts and Sciences as well as Emeritus Professor of Psychiatry at Emory University. A cultural and literary historian, he is the author or editor of more than 100 books, including Doc or Quack: Science and Anti-Science in Modern Medicine (Reaktion, 2025).
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Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Bestandsnummer des Verkäufers Z1-C-090-03086
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Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9780948462696. Bestandsnummer des Verkäufers 9984912
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Zustand: New. Über den AutorSander L. Gilman is Distinguished Professor of the Liberal Arts and Medicine at the University of Illinois, Chicago, USA. A cultural and literary historian, he is the author or editor of over sixty books, including Smo. Bestandsnummer des Verkäufers 898999432
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Zustand: New. Ours is a culture riddled with preoccupations about health and disease. This study demonstrates how images of beauty and ugliness have constructed a visual history which records the artificial boundaries that continue to divide 'healthy' bodies from ones that are ill. Series: Picturing History. Num Pages: 200 pages, 91 black & white illustrations. BIC Classification: JFC; JHM. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 234 x 156 x 20. Weight in Grams: 631. . 1995. Hardback. . . . . Bestandsnummer des Verkäufers V9780948462696
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Hardback. Zustand: New. Ours is a culture riddled with preoccupations about health and disease. In this timely study Sander L. Gilman demonstrates how images of beauty and ugliness have constructed a visual history which records the artificial boundaries that continue to divide 'healthy' bodies from ones that are ill. He shows how cultural fantasies of health and illness have come to be identified and defined by means of visual, aesthetic criteria - for the healthy is now seen as beautiful and the ill as ugly.How did these categories acquire medical associations? The history of our perception of the 'beautiful body' is charged with anxieties about contagion and ugliness and, furthermore, entangled with political implications brought about by our all-too-frequent interpretation of 'race' as a medical category. Sander Gilman looks at how nineteenth-century theorists collected medical and racial data from the shapes of noses, and at contemporary fears concerning syphilis, vividly personified in the diseased hero of Leroux's The Phantom of the Opéra. He also scrutinizes Mark Twain's frank account of a visit to the Holy Land for signs of implicit prejudice about the health or illness of the resident Arabs and Jews. These concerns are brought up-to-date when the author turns to pathological case histories and recent AIDS posters issued by governments worldwide.This is more than simply a history of medicine augmented by visual evidence; its true originality lies in reading from the same visual sources an otherwise unnoticed aestheticization of the body. In so doing, Sander Gilman has discovered a new, exciting, alternative reading of the history of health and illness. Bestandsnummer des Verkäufers LU-9780948462696
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Zustand: New. Ours is a culture riddled with preoccupations about health and disease. This study demonstrates how images of beauty and ugliness have constructed a visual history which records the artificial boundaries that continue to divide 'healthy' bodies from ones that are ill. Series: Picturing History. Num Pages: 200 pages, 91 black & white illustrations. BIC Classification: JFC; JHM. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 234 x 156 x 20. Weight in Grams: 631. . 1995. Hardback. . . . . Books ship from the US and Ireland. Bestandsnummer des Verkäufers V9780948462696
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