All you ever wanted to know about performing early music, but were afraid to ask. Well, fear no more. Subtitled . . . for ingenious learners . . . . this is a landmark publication that sets out in meticulous detail the many varied skills required for playing string music from the 16th, 17th and 18th centuries. It will be required reading for amateurs and professionals alike. In a lucid and practical style, Judy Tarling has distilled 30 years of experience in playing chamber and orchestral music of the period, and her brilliantly researched book sets out all the finest points with copious quotations from dozens of historical sources. All bowed string instruments are dealt with; there is extensive information about playing basso continuo and a host of other important topics. Included in the book is a CD with recorded examples to illustrate the finer points of interpretation. Subjects discussed in the book: Affect, articulation, bow vibrato, bow-hold, bowings, buying Baroque equipment, the 'cello, chords, consort style, continuo instrument choice, dance, dissonance, divisions, dotted notes, double bass, double stopping, dynamics, editions, ensembles, facsimiles, figured bass, fingering choice, harmony, holding the instrument, identifying French & Italian style, inequality, intervals, messa di voce, ornamentation, pitch, position changing, publishers, range, recitative, repeats, rhetoric, rhythm, rubato, rules, scordatura, signs, slurs, speed, staccato, strings, temperament, tempo, time signatures, treatises, tuning, the viola, vibrato, violone. Musical examples by: L'Abbé le fils - Bach - Biber - Bonporti - Caccini - Castello - Cima - Corelli - Corrette - Couperin - Feuillet - Geminiani - Gibbons - Handel - Leclair - Locke - Lully - Marais - Mattheson - Matteis - Mealli - L. Mozart - Muffat - Ortiz - Piani - Playford - Purcell - Quantz - Rameau - Schmelzer - Simpson - Tartini - Walther - Westhoff - Veracini - Vivaldi - Zanetti.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. With CD. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:0952822016. Bestandsnummer des Verkäufers 3734090
Anzahl: 1 verfügbar
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Bestandsnummer des Verkäufers 51409592-20
Anzahl: 1 verfügbar
Anbieter: Joseph Burridge Books, Dagenham, Vereinigtes Königreich
Soft cover. Zustand: New. 2nd Edition. xii + 296 pages, CD : 30 cm. All you ever wanted to know about performing early music, but were afraid to ask. Well, fear no more. Subtitled . . . for ingenious learners . . . . this is a landmark publication that sets out in meticulous detail the many varied skills required for playing string music from the 16th, 17th and 18th centuries. It will be required reading for amateurs and professionals alike. In a lucid and practical style, Judy Tarling has distilled 30 years of experience in playing chamber and orchestral music of the period, and her brilliantly researched book sets out all the finest points with copious quotations from dozens of historical sources. All bowed string instruments are dealt with; there is extensive information about playing basso continuo and a host of other important topics. Included in the book is a CD with recorded examples to illustrate the finer points of interpretation. Subjects discussed in the book: Affect, articulation, bow vibrato, bow-hold, bowings, buying Baroque equipment, the 'cello, chords, consort style, continuo instrument choice, dance, dissonance, divisions, dotted notes, double bass, double stopping, dynamics, editions, ensembles, facsimiles, figured bass, fingering choice, harmony, holding the instrument, identifying French & Italian style, inequality, intervals, messa di voce, ornamentation, pitch, position changing, publishers, range, recitative, repeats, rhetoric, rhythm, rubato, rules, scordatura, signs, slurs, speed, staccato, strings, temperament, tempo, time signatures, treatises, tuning, the viola, vibrato, violone. Musical examples by: L'Abbé le fils - Bach - Biber - Bonporti - Caccini - Castello - Cima - Corelli - Corrette - Couperin - Feuillet - Geminiani - Gibbons - Handel - Leclair - Locke - Lully - Marais - Mattheson - Matteis - Mealli - L. Mozart - Muffat - Ortiz - Piani - Playford - Purcell - Quantz - Rameau - Schmelzer - Simpson - Tartini - Walther - Westhoff - Veracini - Vivaldi - Zanetti. Bestandsnummer des Verkäufers 2dmc133
Anzahl: 1 verfügbar
Anbieter: Travis & Emery Music Bookshop ABA, London, Vereinigtes Königreich
Zustand: New. New copy. Folio (29 x 21cm) 298 pages. Pictorial pale green paperback. Many music examples. With accompanying Compact Disc of demonstrations. Bestandsnummer des Verkäufers _74776_V_
Anzahl: 1 verfügbar
Anbieter: Travis & Emery Music Bookshop ABA, London, Vereinigtes Königreich
Zustand: New. Folio (29 x 21cm) 298 pages. Pictorial pale green paperback. Many music examples. With accompanying Compact Disc of demonstrations. Unused - Very good condition. Bestandsnummer des Verkäufers _74777_V_
Anzahl: 1 verfügbar
Anbieter: Travis & Emery Music Bookshop ABA, London, Vereinigtes Königreich
Zustand: New. New copy. Folio 298 pages. Pictorial pale green paperback. Many music examples. With accompanying Compact Disc of demonstrations. Bestandsnummer des Verkäufers _74775_V_
Anzahl: 1 verfügbar
Anbieter: Amnesty Bookshop - Brighton, Brighton, Vereinigtes Königreich
Soft cover. Zustand: Very Good. 1st Edition. Book written by early music pioneer, Judy Tarling. Divided into six parts: The Rhetorical Style, Techniques, National Style, Tuning and Pitch, The Bass Department, Equipment. The six parts are followed by a Glossary, Bibliography etc and a CD contents section (CD included). Full of b/w musical scores and occasional illustrations. It appears to have been owned by the violinist, John Stephens (see images of front cover and ffep - with address labels and signature (cover) in top right-hand corner). Condition: in a very sound state but note the following: general edge wear and occasional creasing (esp. back card cover in top left hand corner). The ffep has an errata sheet (as well as the John Stephen's label) - see image. pp. xii,296 + one page of text (CD Contents) opp. back cover/8vo (imperial octavo). More information/photos on request. Please note that, depending on destination, we may request a payment to cover any extra shipping/postage charges. Proceeds to Amnesty International. Abe2449. (This item is being sold under the Retail Gift Aid scheme to support Amnesty International UK Section Charitable Trust. Gift Aid enables us to increase the value of donations by 25%. Amnesty International UK Section is acting as an agent selling this item on behalf of one of our Gift Aid Donors). Bestandsnummer des Verkäufers ABE-1733058945999
Anzahl: 1 verfügbar